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100   $a19960528d1997      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aMeter as rhythm$b[electronic resource] /$fChristopher F. Hasty
210   $aNew York $cOxford University Press$d1997
215   $a1 online resource (329 p.)
300   $aDescription based upon print version of record.
311   $a0-19-510066-2 
320   $aIncludes bibliographical references (p. 305-307) and index.
327   $aContents; ONE: General Characterization of the Opposition; TWO: Two Eighteenth-Century Views; THREE: Evaluations of Rhythm and Meter; FOUR: Distinctions of Rhythm and Meter in Three Influential American Studies; FIVE: Discontinuity of Number and Continuity of Tonal "Motion"; SIX: Preliminary Definitions; SEVEN: Meter as Projection; EIGHT: Precedents for a Theory of Projection; NINE: Some Traditional Questions of Meter Approached from the Perspective of Projective Process; TEN: Metrical Particularity; ELEVEN: Obstacles to a View of Meter as Process; TWELVE: The Limits of Meter
327   $aTHIRTEEN: Overlapping, End as Aim, Projective TypesFOURTEEN: Problems of Meter in Early-Seventeenth-Century and Twentieth-Century Music; FIFTEEN: Toward a Music of Durational Indeterminacy; SIXTEEN: The Spatialization of Time and the Eternal "Now Moment"; References; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; P; R; S; T; V; W; Y; Z
330   $aThis work presents a theory of musical duration. Drawing on insights from modern ""process"" philosophy, it advances a fully temporal perspective in which metre is released from its mechanistic connotations and recognized as a concrete, visceral agent of musical expression.
606   $aMusical meter and rhythm
606   $aMusic
615  0$aMusical meter and rhythm.
615  0$aMusic.
676   $a781.2/2
700   $aHasty$b Christopher Francis$01474875
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910784890603321
996   $aMeter as rhythm$93688797
997   $aUNINA