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101 0 $aeng
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200 10$aBootlegging$b[electronic resource] $eromanticism and copyright in the music industry /$fLee Marshall
210   $aLondon $cSAGE$dc2005
215   $a1 online resource (viii, 169 p.)
225 1 $aTheory, culture & society
300   $aDescription based upon print version of record.
311   $a1-4462-1585-7 
311   $a0-7619-4490-7 
320   $aIncludes bibliographical references (p. [160]-167) and index.
327   $aCover; Contents; Introduction; 1: Lessons from History; 2: Copyright and the Romantic Author; 3: Romanticism and Popular Music; 4: Romanticism, Copyright and Piracy; 5: Problems and Alternatives; 6: Introduction to Bootlegging; 7: An overview of Bootlegging; 8: The Impact of Bootlegging on the Record Industry and the Industry's Response; 9: The Dialectic of Romanticism and the Symbolic Significance of Bootlegging; Bibliography; Index
330 8 $aLee Marshall provides a sociological understanding of authorship and copyright which is elaborated through a case study of bootlegging in the popular music industry.
410  0$aTheory, culture & society (Unnumbered)
606   $aSound recordings$xPirated editions
606   $aSound recordings$xPirated editions$xSocial aspects
606   $aCopyright$xMusic
606   $aCopyright$xMusic$xSocial aspects
615  0$aSound recordings$xPirated editions.
615  0$aSound recordings$xPirated editions$xSocial aspects.
615  0$aCopyright$xMusic.
615  0$aCopyright$xMusic$xSocial aspects.
676   $a306.4842
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686   $a24.45$2bcl
700   $aMarshall$b Lee$01473685
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996   $aBootlegging$93686941
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958   $aBiblioteca Centrale. Facoltà di Farmacia. Polo delle Scienze e delle Tecnologie per la Vita. Università "Federico II" Napoli$b1987-1994;$d1(1987)-8(1994);$fFFABC
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