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200 00$aAgamemnon in performance 458 BC to AD 2004$b[electronic resource] /$fedited by Fiona Macintosh ... [et al.]
210   $aOxford ;$aNew York $cOxford University Press$d2005
215   $a1 online resource (501 pages)
300   $aDescription based upon print version of record.
311   $a0-19-926351-5 
320   $aIncludes bibliographical references (p. [436]-459) and index.
327   $aContents; List of Illustrations; List of Contributors; Note on Nomenclature, Spelling and Texts; 1. Introduction: Agamemnons in Performance; SECTION I: IN SEARCH OF THE SOURCES; SECTION II: THE MOVE TO MODERNITY; SECTION III: THE LANGUAGES OF TRANSLATION; SECTION IV: THE INTERNATIONAL VIEW; References; Index
330   $aThis interdisciplinary, multi-author volume is devoted to the performance reception of Aeschylus's Agamemnon, the first play in his Oresteia trilogy. The eighteen essays trace the story of the impact and influence of this seminal play, from its original performance in classical Athens, through ancient Rome and the European Renaissance until the present day. Genres discussed include film, the novel, and lyric poetry as well as theatre and opera. The volume is fully. illustrated, and includes an extensive bibliography and chronological appendix. - ;Aeschylus' Agamemnon, the first play in the Ore
606   $aAgamemnon (Greek mythology)$vDrama
610 1 $aPerformance
615  0$aAgamemnon (Greek mythology)
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996   $aAgamemnon in performance 458 BC to AD 2004$93850557
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