LEADER 03229nam 2200577Ia 450 001 9910784848103321 005 20230511130753.0 010 $a1-281-18743-7 010 $a9786611187439 010 $a1-84150-996-5 035 $a(CKB)1000000000404500 035 $a(EBL)327866 035 $a(OCoLC)647686177 035 $a(SSID)ssj0000232946 035 $a(PQKBManifestationID)11208079 035 $a(PQKBTitleCode)TC0000232946 035 $a(PQKBWorkID)10219634 035 $a(PQKB)11009789 035 $a(Au-PeEL)EBL327866 035 $a(CaPaEBR)ebr10202475 035 $a(CaONFJC)MIL118743 035 $a(OCoLC)190790041 035 $a(MiAaPQ)EBC327866 035 $a(EXLCZ)991000000000404500 100 $a20071027d2007 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aReading bande dessine?e$b[electronic resource] $ecritical approaches to French-language comic strip /$fby Ann Miller 210 $aBristol, UK ;$aChicago, IL. $cIntellect Ltd$d2007 215 $a1 online resource (274 p.) 300 $aDescription based upon print version of record. 311 $a1-84150-177-8 320 $aIncludes bibliographical references and index. 327 $aFront Cover; Preliminary Pages; Contents; Acknowledgements; Introduction; Part 1: The History of bande dessine?e; From the Nineteenth Century to the 1960's: bande dessine?e Becomes a Children's Medium, and then Starts to Grow Up; The 1970's: Expansion and Experimentation; The 1980's: Recuperation by the Mainstream; From the 1990's to the Twenty-First Century: The Return of the Independent Sector; Part 2: Analytical Frameworks; The Codes and Formal Resources of bande dessine?e; Narrative Theory and bande dessine?e; Bande dessine?e as Postmodernist Art Form 327 $aPart 3: A Cultural Studies Approach to bande dessine?e National Identity; Postcolonial Identities; Social Class and Masculinity; Part 4: Bande dessine?e and subjectivity; Psychoanalytic Approaches to Tintin; Autobiography and Diary Writing in bande dessine?e; Gender and Autobiography; Notes; Appendix; Bibliography; Index; Back Cover 330 $aThe increasing popularity of bande dessinee, or French-language comic strip, means that it is being established on university syllabuses worldwide. Reading Bande Dessinee provides a thorough introduction to the medium and in-depth critical analysis with focus on contemporary examples of the art form, historical context, key artists, and themes such as gender, autobiography and postcolonial culture. Miller's groundbreaking book demonstrates exactly why bande dessinee is considered to be a visual narrative art form and encourages the reader to appreciate and understand it to the best of their 606 $aComic books, strips, etc$xHistory and criticism 606 $aPopular culture$zFrance 615 0$aComic books, strips, etc.$xHistory and criticism. 615 0$aPopular culture 700 $aMiller$b Ann$01470077 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910784848103321 996 $aReading bande dessine?e$93681748 997 $aUNINA