LEADER 03400nam 22005891c 450 001 9910784781003321 005 20200115203623.0 010 $a1-4725-4768-3 010 $a1-281-29857-3 010 $a9786611298579 010 $a1-84714-363-6 024 7 $a10.5040/9781472547682 035 $a(CKB)1000000000401553 035 $a(EBL)436658 035 $a(OCoLC)268793876 035 $a(SSID)ssj0000212024 035 $a(PQKBManifestationID)11194496 035 $a(PQKBTitleCode)TC0000212024 035 $a(PQKBWorkID)10135764 035 $a(PQKB)11314222 035 $a(MiAaPQ)EBC436658 035 $a(Au-PeEL)EBL436658 035 $a(CaPaEBR)ebr10224778 035 $a(CaONFJC)MIL129857 035 $a(OCoLC)893334341 035 $a(UtOrBLW)bpp09256023 035 $a(EXLCZ)991000000000401553 100 $a20140929d2002 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe non-philosophy of Gilles Deleuze $fGregg Lambert 210 1$aNew York $cContinuum $d2002. 215 $a1 online resource (197 p.) 300 $aDescription based upon print version of record. 311 $a0-8264-5955-2 311 $a0-8264-5956-0 320 $aIncludes bibliographical references (pages [168]-170) and index 327 $aPreface: On the art of commentary -- Part I: On the image of though from Leibniz to Borges ("time of its hinges") -- 1. Philosophy and "non-philosophy" -- 2. How time places truth in crisis -- 3. How the problem of judgement -- 4. The paradox of concepts -- Part II: On the (baroque) line -- 5. "The mind-body problem" and the art of cryptography -- 6. The riddle of the flesh (the "fuscum subnigrum") -- 7. On God (the "place vide") -- Part III: On the powers of the false -- 8. The baroque detective: Borges as precursor -- 9. How the true world became a fable -- 10. Artaud's problem and ours: belief in the world as it is -- 11. On the uses (and abuses) of literature for life -- Conclusion: On the art of creating concepts 330 8 $aThe Non-Philosophy of Gilles Deleuze takes up Deleuze's most powerful argument on the task of contemporary philosophy in the West. Deleuze argues that it is only through a creative engagement with the forms of non-philosophy--notably modern art, literature and cinema--that philosophy can hope to attain the conceptual resources to restore the broken links of perception, language and emotion. In short, this is the only future for philosophy if it is to repair its fragile relationship to immanence to the world as it is.A sequence of dazzling essays analyze Deleuze's investigations into the modern arts. Particular attention is paid to Deleuze's exploration of Liebniz in relation to modern painting and of Borges to an understanding of the relationship between philosophy, literature and language. By illustrating Deleuze's own approach to the arts, and to modern literature in particular, the book demonstrates the critical significance of Deleuze's call for a future philosophy defined as an "art of inventing concepts" 606 $2Philosophy 676 $a194 700 $aLambert$b Gregg$f1961-$01103617 801 0$bUtOrBLW 801 1$bUtOrBLW 801 2$bUkLoBP 906 $aBOOK 912 $a9910784781003321 996 $aThe non-philosophy of Gilles Deleuze$93854226 997 $aUNINA