LEADER 01466nam 2200373 n 450 001 996391843403316 005 20221108102051.0 035 $a(CKB)1000000000675557 035 $a(EEBO)2240855280 035 $a(UnM)9928062600971 035 $a(UnM)99829773 035 $a(EXLCZ)991000000000675557 100 $a19950626d1679 uy | 101 0 $aeng 135 $aurbn||||a|bb| 200 00$aJanuæ clavis: or, Lilly's syntax explained$b[electronic resource] $eits elegancy from good authors cleared, its fundamentals compared with the Accidence, and the rules thereof more fitted to the capacity of children. By Jonathan Banks 210 $aLondon $cprinted for the author, and are to be sold by Benjamin Clarke in George-Yard in Lumbard-Street$danno Dom. 1679 215 $a[10], 68 p 300 $aCaption title on p. 1 reads: Januæ clavis, or, Lilly's syntax, &c. 300 $aReproduction of the original in the Bodleian Library. 330 $aeebo-0014 606 $aLatin language$xGrammar$vEarly works to 1800 606 $aLatin language$xStudy and teaching$vEarly works to 1800 615 0$aLatin language$xGrammar 615 0$aLatin language$xStudy and teaching 700 $aBanks$b Jonathan$01007310 801 0$bCu-RivES 801 1$bCu-RivES 801 2$bCStRLIN 801 2$bWaOLN 906 $aBOOK 912 $a996391843403316 996 $aJanuæ clavis: or, Lilly's syntax explained$92320354 997 $aUNISA LEADER 02340nam 2200625 450 001 9910784660403321 005 20230828222134.0 010 $a0-19-772397-7 010 $a1-280-48142-0 010 $a1-4237-6088-3 010 $a0-19-534985-7 010 $a1-60256-959-2 035 $a(CKB)1000000000363110 035 $a(EBL)279699 035 $a(OCoLC)252579069 035 $a(SSID)ssj0000145972 035 $a(PQKBManifestationID)11160504 035 $a(PQKBTitleCode)TC0000145972 035 $a(PQKBWorkID)10181996 035 $a(PQKB)10999784 035 $a(Au-PeEL)EBL4700628 035 $a(CaPaEBR)ebr11272912 035 $a(OCoLC)960162858 035 $a(MiAaPQ)EBC4700628 035 $a(EXLCZ)991000000000363110 100 $a20161012h20062006 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe Emerson brothers $ea fraternal biography in letters /$fRonald A. Bosco and Joel Myerson 210 1$aOxford, [England] :$cOxford University Press,$d2006. 210 4$d©2006 215 $a1 online resource (453 p.) 300 $aIncludes index. 311 $a0-19-514036-2 320 $aIncludes bibliographical references and index. 327 $a"What poems are many private lives": the Emerson brothers -- William in Germany -- Edward and Charles -- Aunt Mary and the brothers Emerson -- Charles and Elizabeth -- William and Waldo: finances and family. 330 $aFeatures a narrative and epistolary biography, based upon the correspondence exchanged among the four Emerson brothers and the women who were most important to them. 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[337]-382) and index. 327 $t Frontmatter -- $tContents -- $tPrologue. The Iliad's Two Wars -- $tIntroduction. Characterization and Distribution -- $tChapter One. Narrative Asymmetry in Pride and Prejudice -- $tChapter Two. Making More of Minor Characters -- $tChapter Three. Partings Welded Together: The Character-System in Great Expectations -- $tChapter Four. A qui la place?: Characterization and Competition in Le Pére Goriot and La Comédie humaine -- $tAfterword. Sophocles' Oedipus and the Prehistory of the Protagonist -- $tNotes -- $tWorks Cited -- $tAcknowledgments -- $tIndex 330 $aDoes a novel focus on one life or many? Alex Woloch uses this simple question to develop a powerful new theory of the realist novel, based on how narratives distribute limited attention among a crowded field of characters. His argument has important implications for both literary studies and narrative theory. Characterization has long been a troubled and neglected problem within literary theory. Through close readings of such novels as Pride and Prejudice, Great Expectations, and Le Père Goriot, Woloch demonstrates that the representation of any character takes place within a shifting field of narrative attention and obscurity. Each individual--whether the central figure or a radically subordinated one--emerges as a character only through his or her distinct and contingent space within the narrative as a whole. The "character-space," as Woloch defines it, marks the dramatic interaction between an implied person and his or her delimited position within a narrative structure. The organization of, and clashes between, many character-spaces within a single narrative totality is essential to the novel's very achievement and concerns, striking at issues central to narrative poetics, the aesthetics of realism, and the dynamics of literary representation. 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