LEADER 01081nam--2200361---450- 001 990001565350203316 005 20070717110952.0 035 $a000156535 035 $aUSA01000156535 035 $a(ALEPH)000156535USA01 035 $a000156535 100 $a20040414d1905----km-y0itay0103----ba 101 0 $afre 102 $aFR 105 $a||||||||001yy 200 1 $aEffets magnétiques de la foudre sur les roches volcaniques$fGaetano e Giovanni Platania 210 $aParis$cGauthiers-Villars$d1905 215 $a2 p.$d25 cm 410 0$12001 454 1$12001 461 1$1001-------$12001 700 1$aPLATANIA,$bGaetano$0275785 701 1$aPLATANIA,$bGiovanni$0130958 801 0$aIT$bsalbc$gISBD 912 $a990001565350203316 951 $aMisc. P/28$b4543 L.M.$cI Misc. P 959 $aBK 969 $aUMA 979 $aSIAV4$b10$c20040414$lUSA01$h1747 979 $aCOPAT2$b90$c20050311$lUSA01$h1010 979 $aCOPAT6$b90$c20070717$lUSA01$h1109 996 $aEffets magnétiques de la foudre sur les roches volcaniques$9937778 997 $aUNISA LEADER 03762oam 2200673I 450 001 9910784589103321 005 20230207223907.0 010 $a1-134-46378-2 010 $a1-134-46379-0 010 $a1-280-14204-9 010 $a0-203-98783-7 024 7 $a10.4324/9780203987834 035 $a(CKB)1000000000360367 035 $a(EBL)237356 035 $a(OCoLC)60788519 035 $a(SSID)ssj0000207016 035 $a(PQKBManifestationID)11180056 035 $a(PQKBTitleCode)TC0000207016 035 $a(PQKBWorkID)10246516 035 $a(PQKB)10528879 035 $a(SSID)ssj0000303805 035 $a(PQKBManifestationID)11947603 035 $a(PQKBTitleCode)TC0000303805 035 $a(PQKBWorkID)10276719 035 $a(PQKB)10725069 035 $a(MiAaPQ)EBC237356 035 $a(Au-PeEL)EBL237356 035 $a(CaPaEBR)ebr10097353 035 $a(CaONFJC)MIL14204 035 $a(EXLCZ)991000000000360367 100 $a20180706d2003 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aMuseums and source communities $ea Routledge reader /$fedited by Laura Peers and Alison K. Brown 210 1$aLondon ;$aNew York :$cRoutledge,$d2003. 215 $a1 online resource (288 p.) 300 $aDescription based upon print version of record. 311 $a0-415-28052-4 311 $a0-415-28051-6 320 $aIncludes bibliographical references (p. 252-273) and index. 327 $aYup'ik elders in museums: fieldwork turned on its head -- The object in view: Aborigines, Melanesians, and museums -- The Arts of the Sikh Kingdoms: collaborating with a community -- Integrating Native views into museum procedures: hope and practice at the National Museum of the American Indian -- Taking the photographs home: the recovery of a Ma?ori history -- Looking to see: reflections on visual repatriation in the Purari Delta, Gulf Province, Papua New Guinea, Remebering our namesakes: audience reactions to archival film of King Island, Alaska -- Snapshots on the dreaming: photographs of the past and present -- How to decorate a house: the renegotiaition of cultural representations at the University of British Columbia Museum of Anthropology -- Curating African Worlds -- Objects, agency and museums: continuing dialogues between the Torres Strait and Cambridge -- Transforming archaeology through practice: strategies for collaborative archaeology and the Community Archaeology Project at Quseir, Egypt -- Glenbow's Blackfoot Gallery: working towards co-existence. 330 $aThis volume combines some of the most influential published research in this emerging field with newly commissioned essays on the issues, problems and lessons involved in collaborating museums and source communities.Focusing on museums in the UK, North America and the Pacific, the book highlights three areas which demonstrate the new developments most clearly:the museum as field site or 'contact zone' - a place which source community members enter for purposes of consultation and collaborationvisual repatriation - the use of photography to return images of ances 606 $aEthnological museums and collections$xSocial aspects 606 $aMuseums$xAcquisitions$xSocial aspects 615 0$aEthnological museums and collections$xSocial aspects. 615 0$aMuseums$xAcquisitions$xSocial aspects. 676 $a305.8/0074 701 $aBrown$b Alison K$g(Alison Kay),$f1971-$01517877 701 $aPeers$b Laura L$g(Laura Lynn)$01517878 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910784589103321 996 $aMuseums and source communities$93755130 997 $aUNINA