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101 0 $aeng
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181   $ctxt$2rdacontent
182   $cc$2rdamedia
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200 00$aBritish crime cinema /$fedited by Steve Chibnall and Robert Murphy
210  1$aLondon ;$aNew York, NY :$cRoutledge,$d1999.
215   $a1 online resource (262 pages) $cillustrations
225 1 $aBritish Popular Cinema series
300   $aDescription based upon print version of record.
311 0 $a0415168694 
311 0 $a0415168708 
320   $aFilmography: pages 195-241.
320   $aIncludes bibliographical references and index.
327   $aContents; Illustrations; Contributors; Acknowledgements; 1 Parole overdue; 2 The censors and British gangland, 1913-1990; 3  Spin a dark web; 4 Outrage: No Orchids For Miss Blandish; 5 Men, women and money; 6 The higher heel; 7 The emergence of the British tough guy; 8 Ordinary people; 9 Performance; 10 Mike Hodges discusses Get Carter with the NFT audience, 23 September 1997; 11 A revenger's tragedy Get Carter; 12 Dog eat dog; 13 Space in the British crime film; 14 Allegorising the nation; 15 From underworld to underclass; Filmography, 1939-1997; Index
330   $aThis is the first substantial study of British cinema's most neglected genre. Bringing together original work from some of the leading writers on British popular film, this book includes interviews with key directors Mike Hodges (Get Carter) and Donald Cammel (Performance). It discusses an abundance of films including:* acclaimed recent crime films such as Shallow Grave, Shopping, and Face.* early classics like They Made Me A Fugitive* acknowledged classics such as Brighton Rock and The Long Good Friday* 50
410  0$aBritish Popular Cinema
606   $aGangster films$zGreat Britain$xHistory and criticism
606   $aMotion pictures$zGreat Britain$xHistory and criticism
615  0$aGangster films$xHistory and criticism.
615  0$aMotion pictures$xHistory and criticism.
676   $a791.43/655
702   $aChibnall$b Steve
702   $aMurphy$b Robert$f1947-
801  0$bFlBoTFG
801  1$bFlBoTFG
906   $aBOOK
912   $a9910784584903321
996   $aBritish crime cinema$93874182
997   $aUNINA