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101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aHow poets see the world$b[electronic resource] $ethe art of description in contemporary poetry /$fWillard Spiegelman
210   $aNew York $cOxford University Press$d2005
215   $a1 online resource (253 p.)
300   $aDescription based upon print version of record.
311   $a0-19-517491-7 
320   $aIncludes bibliographical references (p. 201-217) and index.
327   $aThe way things look each day : how poets see the world -- Just looking : Charles Tomlinson and the "labour of observation" -- What to make of an augmented thing : Amy Clampitt's syntactic dramas -- Charles Wright and "the metaphysics of the quotidian" -- A space for boundless revery : varieties of ekphrastic experience -- John Ashbery's haunted landscapes -- Jorie Graham's "new way of looking".
330   $aHow do poets see the world? What are they looking for? How do they transcribe their vision and make poems out of their observations? This work looks at poets (John Ashbery, Amy Clampitt, Jorie Graham, Charles Tomlinson, and Charles Wright), with an eye to explain the art of description in poetry.
606   $aAmerican poetry$y20th century$xHistory and criticism
606   $aVision in literature
606   $aDescription (Rhetoric)$xHistory$y20th century
606   $aArt and literature$zUnited States
606   $aVisual perception in literature
606   $aLandscapes in literature
606   $aNature in literature
606   $aArt in literature
606   $aEkphrasis
615  0$aAmerican poetry$xHistory and criticism.
615  0$aVision in literature.
615  0$aDescription (Rhetoric)$xHistory
615  0$aArt and literature
615  0$aVisual perception in literature.
615  0$aLandscapes in literature.
615  0$aNature in literature.
615  0$aArt in literature.
615  0$aEkphrasis.
676   $a811.009/22
700   $aSpiegelman$b Willard$0608107
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906   $aBOOK
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996   $aHow poets see the world$93867956
997   $aUNINA