LEADER 04999oam 2200661I 450 001 9910784572003321 005 20210621124510.0 010 $a1-136-03634-2 010 $a1-281-00585-1 010 $a9786611005856 010 $a0-08-047044-0 024 7 $a10.4324/9780080470443 035 $a(CKB)1000000000362590 035 $a(EBL)286758 035 $a(OCoLC)437176625 035 $a(SSID)ssj0000264317 035 $a(PQKBManifestationID)11192255 035 $a(PQKBTitleCode)TC0000264317 035 $a(PQKBWorkID)10302465 035 $a(PQKB)10969673 035 $a(Au-PeEL)EBL286758 035 $a(CaPaEBR)ebr10186418 035 $a(CaONFJC)MIL100585 035 $a(OCoLC)499054991 035 $a(CaSebORM)9780240806174 035 $a(MiAaPQ)EBC286758 035 $a(EXLCZ)991000000000362590 100 $a20180706d2005 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aUnderstanding digital cinema $ea professional handbook /$fCharles S. Swartz, editor 205 $a1st edition 210 1$aBurlington, Mass. :$cFocal Press, an imprint of Elsevier,$d2005. 215 $a1 online resource (353 p.) 300 $aIncludes bibliographical references and (p. 307-311) and index. 311 $a1-136-03633-4 311 $a0-240-80617-4 320 $aIncludes bibliographical references and index. 327 $aUnderstanding Digital Cinema: A Professional Handbook; Copyright; Contents; Foreword; Chapter 1 Introduction; Advantages and Challenges of Digital Technology for Motion Pictures; Who Is Working to Develop Specifications and Standards?; Chapter 2 The New Post Production Workflow: Today and Tomorrow; The Traditional Post Production Workflow; The Modern Motion Picture-the New Digital Workflow; Chapter 3 Color in Digital Cinema; "Faithful" and "Pleasing" Reproduction; Film; Digital Cinema; Issues in Color Image Data Representation; Color Gamut; Choice of a Color Coding System 327 $aThe Digital IntermediateThe Challenge of Wide-Gamut Reproduction; Acknowledgments; Chapter 4 The Mastering Process; The Process; Capture: Content Ingest; Creative Image Manipulation; Audio Preparation: An Expanded Scope; Related Data Creation; The Future of Mastering; Chapter 5 Compression for Digital Cinema; What Is Compression?; Why Is Compression Needed for Digital Cinema?; Sampling of images; Compression systems for motion pictures; Fundamental concepts; Transforms; Temporal Compression; Compression systems and standards; Intellectual property and licensing; Conclusions 327 $aChapter 6 Security and PackagingSecurity Primer; The Value of Security in the Supply Chain; Review of Early Fielded Systems; The Next Generation; Design Philosophy; Chapter 7 Audio for Digital Cinema; The Historical View and Opportunity; The Current Status of Cinema Audio; Potential New Features; The Debate-How and Why; The Standards; Channel Maps and Labels: Legacy Channels; Potentials; The Reality; Chapter 8 Digital Cinema Distribution; Content Preparation; Delivery; Security; Digital Asset Management; Digital Archiving; System Overview 327 $aCase Study:Warner Bros. Entertainment Inc. : Proof-of-ConceptChapter 9 Projection; Viewing Characteristics of the Theatre; Projection System Performance Parameters and Measurement Methods; Color; Motion Management; Aspect Ratios Sizing and Lensing; Convergence and Registration; Mechanical Issues; Image Quality: The Reference Projector; Projection System Data Interfaces; Test Materials; Candidate Projection Technologies; Chapter 10 Theatre Systems; System Interoperability; User Requirements; Media Block Architectures; Operations and Maintenance; Workflow; Performance Controls 327 $aShow Play Lists and SchedulesTime Code; Supervisory Controls and Monitoring; Logging Show Operations; Piracy Protection and Security; Content Delivery; Putting A Point To It; Chapter 11 An International Perspective; Europe; Local Initiatives; Europewide Sponsored Projects; Asia; Latin America; Africa & Middle East; Appendix The DC28 Standard; Contributor Biographies; Index 330 $aUNDERSTANDING DIGITAL CINEMA: A PROFESSIONAL HANDBOOK is a comprehensive resource on all aspects of finishing, distributing and displaying film digitally. For technical professionals as well as non-technical decision-makers, the book is a detailed exploration of every component of the process, from mastering to theater management. * An overview of digital cinema system requirements* Post production work flow* Color in digital cinema* The digital cinema mastering process* Fundamental 606 $aDigital cinematography 615 0$aDigital cinematography. 676 $a778.5/3 701 $aSwartz$b Charles S$054079 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910784572003321 996 $aUnderstanding digital cinema$93867939 997 $aUNINA