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100   $a20190731d1998      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aClassical form $ea theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven /$fWilliam E. Caplin
210  1$aNew York ;$aOxford :$cOxford University Press,$d1998.
215   $a1 online resource (xii, 307 p.)
300   $aDescription based upon print version of record.
311   $a0-19-514399-X 
311   $a0-19-510480-3 
320   $aIncludes bibliographical references (p. 289-292) and index.
327   $a1. Some Basic Formal Functions: An Overview -- 2. Fundamental Progressions of Harmony -- 3. Sentence -- 4. Period -- 5. Hybrid Themes and Compound Themes -- 6. Small Ternary -- 7. Small Binary -- 8. Subordinate Theme -- 9. Transition -- 10. Development -- 11. Recapitulation -- 12. Coda -- 13. Sonata Form -- 14. Slow-Movement Forms -- 15. Minuet/Trio Form -- 16. Rondo Forms -- 17. Concerto Form.
330   $aIntroducing a new theory of musical form for the analysis of instrumental music of the classical style. The book provides a broad set of principles and a comprehensive methodology for analysing phrases and themes to complete movements. Illustrated with over 250 annotated musical examples by Haydn, Mozart and Beethoven.
517 3 $aTheory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven
606   $aMusical form
606   $aInstrumental music$y18th century$xAnalysis, appreciation
606   $aInstrumental music$y19th century$xAnalysis, appreciation
606   $aMusical analysis
606   $aClassicism in music
606   $aMusic theory$xHistory$y20th century
615  0$aMusical form.
615  0$aInstrumental music$xAnalysis, appreciation.
615  0$aInstrumental music$xAnalysis, appreciation.
615  0$aMusical analysis.
615  0$aClassicism in music.
615  0$aMusic theory$xHistory
676   $a784.18
700   $aCaplin$b William Earl$f1948-$0781762
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910784555303321
996   $aClassical form$91733656
997   $aUNINA