LEADER 00906nam2-22003251i-450- 001 990002005160403321 005 20090407150956.0 035 $a000200516 035 $aFED01000200516 035 $a(Aleph)000200516FED01 035 $a000200516 100 $a20030910d1901----km-y0itay50------ba 101 0 $aeng 102 $aGB 105 $ay---a---001yy 200 1 $aNemertines$fL. Sheldon 210 $aLondon$cMcMillan$d1901 215 $ap.[97]-120$d22 cm 225 1 $a<>Cambridge Natural History$h2$iWorms, rotifers and polyzoa$v2 461 0$1001000206414$12001$aWorms, rotifers and polyzoa 610 0 $aZoologia$aTrattati 676 $a595.12 700 1$aSheldon,$bLilian$084731 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990002005160403321 952 $a61 II A.4/013.7$b205$fDAGEN 959 $aDAGEN 996 $aNemertines$9402929 997 $aUNINA LEADER 02722nam 2200613Ia 450 001 9910784499803321 005 20230422044605.0 010 $a0-8166-9030-8 010 $a0-8166-5292-9 035 $a(CKB)1000000000346944 035 $a(EBL)310475 035 $a(OCoLC)476094722 035 $a(SSID)ssj0000280255 035 $a(PQKBManifestationID)11228143 035 $a(PQKBTitleCode)TC0000280255 035 $a(PQKBWorkID)10290349 035 $a(PQKB)10413790 035 $a(MiAaPQ)EBC310475 035 $a(OCoLC)290518756 035 $a(MdBmJHUP)muse39247 035 $a(Au-PeEL)EBL310475 035 $a(CaPaEBR)ebr10151153 035 $a(CaONFJC)MIL522708 035 $a(EXLCZ)991000000000346944 100 $a19990519d1999 ub 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aHigh techn$b[electronic resource] $eart and technology from the machine aesthetic to the posthuman /$fR.L. Rutsky 210 $aMinneapolis $cUniversity of Minnesota Press$dc1999 215 $a1 online resource (204 p.) 225 1 $aElectronic mediations ;$vv. 2 300 $aDescription based upon print version of record. 311 $a0-8166-3356-8 311 $a0-8166-3355-X 320 $aIncludes bibliographical references (p. 159-185) and index. 327 $aContents; Introduction: The Question concerning High Tech; 1. The Spirit of Utopia and the Birth of the Cinematic Machine; 2. The Mediation of Technology and Gender; 3. The Avant-Garde Techne and the Myth of Functional Form; 4. Within the Space of High Tech; 5. Technological Fetishism and the Techno-Cultural Unconscious; Notes; Index 330 $aIn an age of high tech, our experience of technology has changed tremendously, yet the definition of technology has remained largely unquestioned. High Techne redresses this gap in thinking about technology, examining the shifting relations of technology, art, and culture from the beginnings of modernity to contemporary technocultures. Progressing from the major art movements of modernism to contemporary science fiction and cultural theory, Rutsky provides clear and compelling evidence of a shift in the cultural conceptions of technology and art. 410 0$aElectronic mediations ;$vv. 2. 606 $aArt and technology$xPhilosophy 606 $aTechnology$xAesthetics 615 0$aArt and technology$xPhilosophy. 615 0$aTechnology$xAesthetics. 676 $a701/.05 700 $aRutsky$b R. L$01507027 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910784499803321 996 $aHigh techn$93864515 997 $aUNINA