LEADER 04610nam 2200685 450 001 9910465829903321 005 20200520144314.0 010 $a0-8032-8883-2 010 $a0-8032-8881-6 035 $a(CKB)3710000000654173 035 $a(EBL)4516790 035 $a(SSID)ssj0001662697 035 $a(PQKBManifestationID)16447375 035 $a(PQKBTitleCode)TC0001662697 035 $a(PQKBWorkID)14932265 035 $a(PQKB)10431605 035 $a(MiAaPQ)EBC4516790 035 $a(OCoLC)948512379 035 $a(MdBmJHUP)muse50936 035 $a(Au-PeEL)EBL4516790 035 $a(CaPaEBR)ebr11206248 035 $a(CaONFJC)MIL918128 035 $a(OCoLC)948783049 035 $a(EXLCZ)993710000000654173 100 $a20160526h20162016 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 13$aAn Asian frontier $eAmerican anthropology and Korea, 1882-1945 /$fRobert Oppenheim 210 1$aLincoln, [Nebraska] ;$aLondon, [England] :$cUniversity of Nebraska Press,$d2016. 210 4$dİ2016 215 $a1 online resource (448 p.) 225 1 $aCritical Studies in the History of Anthropology 300 $aDescription based upon print version of record. 311 $a0-8032-8561-2 320 $aIncludes bibliographical references and index. 327 $aCover; Title Page; Copyright Page; Contents; Untitled; Series Editors' Introduction; Acknowledgments; Note on Editorial Method; Introduction: Tracings of Discipline and Shadows of Area; 1. Anthropological Collecting Networks in Late Nineteenth- Century Korea; 2. Ceramic Economies; 3. From China in America to Korea in Chicago; 4. Orientalist against Orientalism; 5. The Anthropologist without Qualities; 6. Worlding Korea from Without and Within; 7. Interwar Asymmetries of Race and Anti-imperialism; Conclusion: Legacies; Source Acknowledgments; Notes; Bibliography; Index 330 $a"A history of American anthropology focused on Korea from 1882-1945, as the discipline increased its geographical consciousness and Korea opened its ports to foreign trading"--$cProvided by publisher. 330 $a"In the nineteenth century the predominant focus of American anthropology centered on the native peoples of North America, and most anthropologists would argue that Korea during this period was hardly a cultural area of great anthropological interest. However, this perspective underestimates Korea as a significant object of concern for American anthropology during the period from 1882 to 1945--otherwise a turbulent, transitional period in Korea's history. An Asian Frontier focuses on the dialogue between the American anthropological tradition and Korea, from Korea's first treaty with the United States to the end of World War II, with the goal of rereading anthropology's history and theoretical development through its Pacific frontier. Drawing on notebooks and personal correspondence as well as publications of anthropologists of the day, Robert Oppenheim shows how and why Korea became an important object of study--with, for instance, more published about Korea in the pages of American Anthropologist before 1900 than would be for decades afterward. Oppenheim chronicles the actions of American collectors, Korean mediators, and metropolitan curators who first created Korean anthropological exhibitions for the public. He moves on to examine anthropologists--such as Ales Hrdlicka, Walter Hough, Stewart Culin, Frederick Starr, and Frank Hamilton Cushing--who fit Korea into frameworks of evolution, culture, and race even as they engaged questions of imperialism that were raised by Japan's colonization of the country. In tracing the development of American anthropology's understanding of Korea, Oppenheim discloses the legacy present in our ongoing understanding of Korea and of anthropology's past. "--$cProvided by publisher. 410 0$aCritical studies in the history of anthropology. 606 $aAnthropology$zUnited States$xHistory 606 $aAnthropology$zUnited States$xPhilosophy 606 $aEthnology$zKorea 607 $aKorea$xCivilization 607 $aKorea$xSocial life and customs 608 $aElectronic books. 615 0$aAnthropology$xHistory. 615 0$aAnthropology$xPhilosophy. 615 0$aEthnology 676 $a306.0973/09519 700 $aOppenheim$b Robert$f1969-$0917916 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910465829903321 996 $aAn Asian frontier$92058206 997 $aUNINA LEADER 03986oam 22008894a 450 001 9910460868403321 005 20211004152645.0 010 $a1-57506-388-3 024 7 $a10.1515/9781575063881 035 $a(CKB)3710000000422937 035 $a(EBL)3426085 035 $a(SSID)ssj0001586092 035 $a(PQKBManifestationID)16266999 035 $a(PQKBTitleCode)TC0001586092 035 $a(PQKBWorkID)14866896 035 $a(PQKB)11336261 035 $a(PQKBManifestationID)15351125 035 $a(PQKBWorkID)14171906 035 $a(PQKB)23750825 035 $a(MiAaPQ)EBC3426085 035 $a(DLC) 2015012771 035 $a(Au-PeEL)EBL3426085 035 $a(CaPaEBR)ebr11064555 035 $a(OCoLC)930706585 035 $a(OCoLC)912325078 035 $a(MdBmJHUP)musev2_80857 035 $a(DE-B1597)584410 035 $a(DE-B1597)9781575063881 035 $a(EXLCZ)993710000000422937 100 $a20150620h20152015 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aTel Malhata$eA Central City in the Biblical Negev /$hVolume 1 $fItzhaq Beit-Arieh and Liora Freud ; contributions by Gregory Bearman [and twenty-three others]$hVolume 1 210 1$aWinona Lake, Indiana :$cEisenbrauns,$d2015. 210 4$dİ2015 215 $a1 online resource (808 p.) 225 0 $aTel Aviv University, Sonia and Marco Nadler Institute of Archaeology monograph series ;$vNumber 32 300 $a"Emery and Claire Yass Publications in Archaeology, Tel Aviv 2015." 311 $a1-57506-293-3 320 $aIncludes bibliographical references and index. 327 $aIN MEMORIAM ITZHAQ BEIT-ARIEH 1930-2012; CONTENTS; PREFACE; LIST OF LOCI; INDEX OF FINDS1 330 $aTel Mal?ata: A Central City in the Biblical Negev presents the results of nine seasons of excavations?two by the first expedition and seven by the second.Tel Mal?ata is an elliptical-shaped mound located in the eastern sector of the Arad?Beer-sheba Valley and spreads across some 18 dunams. Tel Mal?ata is generally identified with biblical Moladah, one of the cities of Judah, although other identifications have been suggested. The Arabic name of the site, Tell el-Mil? (?Hill of the Salt?), is apparently indicative of its association with the production and distribution of salt from the Dead Sea in more recent times. The many Bedouin graves on the upper terrace of the tell significantly hindered the planning of the excavations, and consequently the excavations were concentrated mainly where no graves were discerned. 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Acknowledgments; Contents; Introduction; What Is This Book About?; How Is This Book Organized?; Who Is This Book For?; What Tools Do You Need for This Book?; Installing Final Cut Pro; Part I: Getting Started; Chapter 1: Up Your Workstation; Overview; Hooking Up to a DV Deck or Camera; Hooking Up to a Media Converter Box; Installing an Analog-to-Digital Capture Card; Chapter 2: Getting to Know Final Cut Pro; Overview; Running Final Cut Pro for the First Time; Setting Your User Preferences; The Browser; The Viewer; The Timeline; The Canvas 327 $aCustomizing with the Keyboard Layout and Button ListUsing the Tools and the Audio Meter; The Tool Bench and QuickView; Chapter 3: Creating Your Footage; Overview; Keeping a Camera Log; Shooting Video for Efficient Editing; Recording Audio on a Shoot; Chapter 4: Logging Your Footage; Overview; Getting to Know the Log and Capture Window; Using the Logging Tab; Using Markers with Log and Capture; Adjusting Your Clip Settings; Setting In and Out Points; Logging Your Clip for Batch Capture; Creating and Importing Batch Capture Lists; Chapter 5: Capturing and Importing Your Footage; Overview 327 $aCreating Your Capture SettingsAdjusting Your Capture Settings; Capture Now: Capturing Clips on the Fly; Capture Clip: Capturing One Clip; Batch Capture: Capturing Multiple Clips; Using OfflineRT; Using DV Start/Stop Detection; Importing Existing Media Files; A Quick Guide to Logging and Capturing; Part II Editing Your Movie; Chapter 6: Your Edit; Overview; Creating a New Sequence; Working with Clips; Adding Blank Tracks in the Timeline; Deleting Blank Tracks in the Timeline; Editing Clips into the Timeline; Editing Clips into the Timeline through the Canvas 327 $aTightening Your Cut with Ripple Delete, Lift Delete, and Close GapChapter 7: Tools of Editing; Overview; Linking Audio and Video Clips; Working with Stereo Pairs; Creating Subclips; Chapter 8: Smart Edits; Overview; Trimming with the Mouse; Using the Razor Blade; Making Roll Edits; Making Ripple Edits; 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First you'll learn how to set up your workstation and master fundamental concepts. Then you'll learn pro-tested techniques for every stage of the process--everything from shooting tips to logging your footage, from adding transitions and special effects to delivering your masterpiece in multiple formats. Along the way, professional video editors emphasize the trick 606 $aDigital video$xEditing$xData processing 606 $aVideo tapes$xEditing$xData processing 615 0$aDigital video$xEditing$xData processing. 615 0$aVideo tapes$xEditing$xData processing. 676 $a778.59302855369 700 $aTeague$b Jason Cranford$01467277 701 $aTeague$b David$01564158 701 $aTeague$b Jason Cranford$01467277 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910784478303321 996 $aFinal Cut Pro 4 and the art of filmmaking$93833067 997 $aUNINA