LEADER 01139nam--2200385---450- 001 990000378000203316 005 20050120154404.0 035 $a0037800 035 $aUSA010037800 035 $a(ALEPH)000037800USA01 035 $a0037800 100 $a20010328d1984----km-y0itay0103----ba 101 $aita 102 $aIT 105 $a||||||||001yy 200 1 $a<> sirventese e le canzoni$fDaniel Arnaut$ga cura di Mario Eusebi 210 $aMilano$cAll'insegna del pesce d'oro$d1984 215 $aXV, 136 p.$d17 cm + err-corrig. 225 2 $aAcquario$v136 300 $aCon la trad. italiana 410 $12001$aAcquario$v136 676 $a849 700 1$aARNAUT,$bDaniel$0192329 702 1$aEUSEBI,$bMario 801 0$aIT$bsalbc$gISBD 912 $a990000378000203316 951 $aVI.1.A. 5(VARIE COLL. 256/5)$b96778 LM$cVARIE COLL. 959 $aBK 969 $aUMA 979 $aPATTY$b02$c20010328$lUSA01$h0949 979 $c20020403$lUSA01$h1645 979 $aPATRY$b90$c20040406$lUSA01$h1626 979 $aCOPAT2$b90$c20050120$lUSA01$h1544 996 $aSirventese e le canzoni$976602 997 $aUNISA LEADER 02621nam 2200745 a 450 001 9910456841803321 005 20200520144314.0 010 $a1-299-19138-X 010 $a0-8165-0126-2 035 $a(CKB)2550000000041450 035 $a(OCoLC)747413923 035 $a(CaPaEBR)ebrary10485540 035 $a(SSID)ssj0000538568 035 $a(PQKBManifestationID)11369646 035 $a(PQKBTitleCode)TC0000538568 035 $a(PQKBWorkID)10559723 035 $a(PQKB)10006592 035 $a(MiAaPQ)EBC3411729 035 $a(MdBmJHUP)muse12484 035 $a(Au-PeEL)EBL3411729 035 $a(CaPaEBR)ebr10485540 035 $a(CaONFJC)MIL450388 035 $a(OCoLC)923438005 035 $a(EXLCZ)992550000000041450 100 $a20101104d2011 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe life-giving stone$b[electronic resource] $eethnoarchaeology of Maya metates /$fMichael T. Searcy 210 $aTucson $cUniversity of Arizona Press$dc2011 215 $a1 online resource (183 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-8165-2909-4 320 $aIncludes bibliographical references and index. 327 $aThe cultural landscape of the highland Maya of Guatemala -- Modern metate production -- Modern patterns of acquisition, use, discard, and reuse -- Archaeological implications. 606 $aMayas$xImplements$zGuatemala$zSan Luis Jilotepeque 606 $aMayas$xImplements$zGuatemala$zIxtahuaca?n 606 $aMayas$xIndustries$zGuatemala$zSan Luis Jilotepeque 606 $aMayas$xIndustries$zGuatemala$zIxtahuaca?n 606 $aMetates$zGuatemala$zSan Luis Jilotepeque 606 $aMetates$zGuatemala$zIxtahuaca?n 606 $aMetate industry$zGuatemala$zSan Luis Jilotepeque 606 $aMetate industry$zGuatemala$zIxtahuaca?n 607 $aSan Luis Jilotepeque (Guatemala)$xSocial life and customs 607 $aIxtahuaca?n (Guatemala)$xSocial life and customs 608 $aElectronic books. 615 0$aMayas$xImplements 615 0$aMayas$xImplements 615 0$aMayas$xIndustries 615 0$aMayas$xIndustries 615 0$aMetates 615 0$aMetates 615 0$aMetate industry 615 0$aMetate industry 676 $a664/.024 700 $aSearcy$b Michael T$g(Michael Taylor),$f1976-$01032957 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910456841803321 996 $aThe life-giving stone$92451167 997 $aUNINA LEADER 04535nam 2200613 a 450 001 9910784448103321 005 20221221225105.0 010 $a1-136-40235-7 010 $a1-280-63911-3 010 $a9786610639113 010 $a0-08-045641-3 035 $a(CKB)1000000000350257 035 $a(EBL)270005 035 $a(OCoLC)469388502 035 $a(SSID)ssj0000157811 035 $a(PQKBManifestationID)11155330 035 $a(PQKBTitleCode)TC0000157811 035 $a(PQKBWorkID)10140563 035 $a(PQKB)10353662 035 $a(MiAaPQ)EBC270005 035 $a(Au-PeEL)EBL270005 035 $a(CaPaEBR)ebr10137945 035 $a(CaONFJC)MIL63911 035 $a(EXLCZ)991000000000350257 100 $a20050524d2005 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aFragments of the world $euses of museum collections /$fSuzanne Keene 205 $aFirst edition. 210 $aAmsterdam $cElsevier Butterworth-Heinemann$d2005 215 $a1 online resource (x, 198 pages) $cillustrations 300 $aDescription based upon print version of record. 311 0 $a1-138-13748-0 311 0 $a0-7506-6472-X 320 $aIncludes bibliographical references and index. 327 $aCover; Fragments of the World; Copyright; Contents; Preface; List of figures; 1. Introduction; Museum directions and perceptions; Concerns articulated; Why the problem?; Too much stuff?; About this book; Notes; The Pitt-Rivers Museum, Oxford; 2. Museums; Variety in museums; Museums, collections, and economics; Professional attitudes; Conclusions; Notes; 3. Collections; The nature of collections; Practical aspects; Using functional objects; Collections and politics; Collections and cultures; Collections and conflicts; Collections: the dark side; Conclusions; Notes; 4. Collections for research 327 $aWhat research? Who researches?; What do researchers require?; Case study: archaeological collections of the; Museum of London Collections researched and less researched; Discussion; Conclusions; Notes; 5. Collections for ongoing learning; About learning; How people think; Object-based learning: some examples; What do students learn?; Museums, collections, and education: the potential; Universities and museums; Conclusions; Notes; Flea Market; 6. Collections, memory, and identity; Concepts of memory and identity; Museums and memory; Identities; Memory in the case of military museums 327 $aDiscussion: implications Conclusions; Notes; 7. Collections and creativity; Theories of creativity; The art of the collection; Stories from collections; Collections, music, and sound; Collections as places; Inspiration for the public; Discussion; Conclusions; Notes; Beowulf: the treasure and the dragon; 8. Collections for enjoyment; How and what we enjoy; Enjoying stored collections; Personal visits; People using collections; Conclusions; Notes; 9. Collections and digitization; Museum futures; Digital futures; Using digital technologies, using collections; Discussion; Conclusions; Notes 327 $a10. Collections and values Introduction; Culture and economics; Changes in value; Measuring cultural value; Museums and values; Perspectives on value; Conclusions; Notes; Poetry; 11. Piecing together the fragments; Museums and collections in the future; What can museums do?; A new focus on collections; Is there a solution?; Conclusions; Notes; Acknowledgements; Research Method; Copyright and permissions; Index 330 $aDuring the past decade a number of individual museums have found imaginative ways of using their collections and of making them accessible. However, museum collections as a whole are enormous in size and quantity and the question of how can they can be put to best use is ever present. When conventional exhibitions can only ever utilise a tiny proportion of them, what other uses of the collections are possible? Will their exploitation and use now destroy their value for future generations? Should they simply be kept safely and as economically as possible as a resource for the future?