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100   $a20040121d2005      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 00$aMusic, power, and politics$b[electronic resource] /$fedited by Annie J. Randall
210   $aNew York $cRoutledge$d2005
215   $a1 online resource (295 p.)
300   $aDescription based upon print version of record.
311   $a1-138-87024-2 
311   $a0-415-94364-7 
320   $aIncludes bibliographical references and index.
327   $aBOOK COVER; TITLE; COPYRIGHT; CONTENTS; Acknowledgments; Introduction; 1 A Censorship of Forgetting Origins and Origin Myths; 2 Discipline and Choralism The Birth of Musical Colonialism; 3 Power Needs Names Hegemony Folklorization; 4 The Power to Influence Minds German Folk Music; 5 The Making of a National Musical Icon Xian Xinghai; 6 Dancing for the Eternal President; 7 The Power of Recently Revitalized Serbian Rural Folk Music; 8 Hands Off My Instrument; 9 Barbadian Tuk Music A Fusion of Musical Cultures; 10 There Goes the Transnational Neighborhood
327   $a11 Fighting for the Right  to Party Discursive Negotiations12 Who's Listening; 13 Subversion and Countersubversion Power Control; Contributors; Index
330   $aEssays by scholars from around the world explore the means by which music's long-acknowledged potential to persuade, seduce, indoctrinate, rouse, incite, or even silence listeners has been used to advance agendas of power and protest.
606   $aPopular music$xSocial aspects
606   $aFolk music$xSocial aspects
615  0$aPopular music$xSocial aspects.
615  0$aFolk music$xSocial aspects.
676   $a780.9
676   $a780/.9
701   $aRandall$b Annie Janeiro$0911865
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910784426503321
996   $aMusic, power, and politics$93695264
997   $aUNINA