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181   $ctxt
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200 14$aThe girls in the back room$b[electronic resource] $elooking at the lesbian bar /$fKelly Hankin
210   $aMinneapolis $cUniversity of Minnesota Press$dc2002
215   $a1 online resource (230 p.)
300   $aDescription based upon print version of record.
311   $a0-8166-3929-9 
311   $a0-8166-3928-0 
320   $aIncludes bibliographical references (p. 173-184) and index.
327   $aContents; Come Here Often?; ONE: Looking at the Lesbian Bar in the Twentieth Century; TWO: Lesbians on Location; THREE: Badass Supermama Meets Foxy Brown; FOUR: Wish We Didn't Have to Meet Secretly?; Conclusion, or Confessions of a Former Lesbian Barfly; Acknowledgments; Notes; Works Cited; Films, Videos, and Television Programs Cited; Index
330   $aThe lesbian bar has long been seen as a mysterious place, steeped in mythologies of clandestine meetings and sexuality that is alluring because it is wayward and sinful. Kelly Hankin focuses on the lesbian bar, looking at how it is portrayed in such films as Foxy Brown, The Killing of Sister George, Basic Instinct, Bound, and Chasing Amy; in television series like The Simpsons, Xena: Warrior Princess, Roseanne, Ellen, and Sex and the City; and in independent, lesbian-produced documentaries. The Girls in the Back Room provides an engaging historical and theoretical analysis of the visual lesbia
606   $aLesbian bars in motion pictures
606   $aLesbianism in motion pictures
606   $aLesbians in motion pictures
615  0$aLesbian bars in motion pictures.
615  0$aLesbianism in motion pictures.
615  0$aLesbians in motion pictures.
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906   $aBOOK
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996   $aThe girls in the back room$93691810
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