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181   $ctxt
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200 14$aThe dubious spectacle$b[electronic resource] $eextremities of theater, 1976-2000 /$fHerbert Blau
210   $aMinneapolis $cUniversity of Minnesota Press$dc2002
215   $a1 online resource (374 p.)
300   $aDescription based upon print version of record.
311   $a0-8166-3813-6 
311   $a0-8166-3812-8 
320   $aIncludes bibliographical references (p. 321-333) and index.
327   $aContents; Introduction; 1. Afterthought from the Vanishing Point: Theater at the End of the Real; 2. The Impossible Takes a Little Time; 3. Spacing Out in the American Theater; 4. From Red Hill to the Renaissance: Rehearsing the Resistance; 5. A Dove in My Chimney; 6. Elsinore: An Analytic Scenario; 7. Deep Throat: The Grail of the Voice; 8. A Valediction: Chills and Fever, Mourning, and the Vanities of the Sublime; 9. The Dubious Spectacle of Collective Identity; 10. Fantasia and Simulacra: Subtext of a Syllabus for the Arts in America
327   $a11. With Your Permission: Educating the American Theater12. The Pipe Dreams of O'Neill in the Age of Deconstruction; 13. Readymade Desire; 14. Water under the Bridge: From Tango Palace to Mud; 15. Fervently Impossible: The Group Idea and Its Legacy; 16. Noise, Musication, Beethoven, and Solid Sound: New Music and Theater; 17. Flat-Out Vision; 18. The Absolved Riddle: Sovereign Pleasure and the Baroque Subject in the Tragicomedies of John Fletcher; 19. ""Set Me Where You Stand"": Revising the Abyss; 20. Limits of Performance: The Insane Root; Notes; Previous Publications; Index
330   $aSpanning a quarter of a century, the essays in this book rehearse, in the movement of memory and cross-reflection, an extensive career in theater. The work of Herbert Blau-his directing, writing, and criticism-has been a determining force during this period as theater encounters theory.
606   $aTheater$xPhilosophy
606   $aDrama$xHistory and criticism$xTheory, etc
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615  0$aDrama$xHistory and criticism$xTheory, etc.
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