LEADER 03922nam 2200733Ia 450 001 9910784398403321 005 20230422044559.0 010 $a0-8166-9265-3 035 $a(CKB)1000000000346856 035 $a(EBL)310523 035 $a(OCoLC)191934116 035 $a(SSID)ssj0000284815 035 $a(PQKBManifestationID)11231285 035 $a(PQKBTitleCode)TC0000284815 035 $a(PQKBWorkID)10281602 035 $a(PQKB)11139102 035 $a(MiAaPQ)EBC310523 035 $a(MdBmJHUP)muse39940 035 $a(Au-PeEL)EBL310523 035 $a(CaPaEBR)ebr10151176 035 $a(CaONFJC)MIL522727 035 $a(EXLCZ)991000000000346856 100 $a20000508d2000 ub 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aTheory and the premodern text$b[electronic resource] /$fPaul Strohm 210 $aMinneapolis $cUniversity of Minnesota Press$dc2000 215 $a1 online resource (288 p.) 225 1 $aMedieval cultures ;$vv. 26 300 $aDescription based upon print version of record. 311 $a0-8166-3775-X 311 $a0-8166-3774-1 320 $aIncludes bibliographical references and indexes. 327 $aContents; Acknowledgments; Introduction; PART I: SPACE, SYMBOLIZATION, AND SOCIAL PRACTICE; 1. Three London Itineraries: Aesthetic Purity and the Composing Process; 2. Walking Fire: Symbolization, Action, and Lollard Burning; 3. Coronation as Legible Practice; PART II: TIME AND NARRATIVE; 4. "Lad with Revel to Newegate": Chaucerian Narrative and Historical Metanarrative; 5. Fictions of Time and Origin: Friar Huberd and the Lepers; 6. Chaucer's Troilus as Temporal Archive; PART III: READING THE HISTORICAL TEXT; 7. Prohibiting History: Capgrave and the Death of Richard II 327 $a8. Trade, Treason, and the Murder of Janus Imperial9. Shakespeare's Oldcastle: Another Ill-Framed Knight; 10. Postmodernism and History; PART IV: PSYCHOANALYSIS AND MEDIEVAL STUDIES; 11. What Can We Know about Chaucer That He Didn't Know about Himself?; 12. John's Locked Box: Kingship and the Management of Desire; 13. Mellyagant's Primal Scene; Notes; Indexes; Protagonists, Events, and Selected Medieval Texts; Commentators, Theorists, and Selected Texts; Theoretical Concepts 330 $aInsisting on the imaginative multiplicity of the text, Strohm finds in theory an augmentation of interpretive possibilities-an augmentation that sometimes requires respectful disagreement with what a work says-or seems to want known-about itself. Coupled with this strategic disrespect is a new and amplified form of respect-for the text as a meaning-making system, for its unruly power and its unpredictable effects in the world. 410 0$aMedieval cultures ;$vv. 26. 606 $aEnglish literature$yMiddle English, 1100-1500$xHistory and criticism$xTheory, etc 606 $aLiterature and history$zEngland$xHistory$yTo 1500 606 $aLiterature and history$zEngland$xHistory$y16th century 606 $aHistorical drama, English$xHistory and criticism 606 $aCivilization, Medieval, in literature 606 $aKings and rulers in literature 606 $aRhetoric, Medieval 607 $aLondon (England)$xIn literature 615 0$aEnglish literature$xHistory and criticism$xTheory, etc. 615 0$aLiterature and history$xHistory 615 0$aLiterature and history$xHistory 615 0$aHistorical drama, English$xHistory and criticism. 615 0$aCivilization, Medieval, in literature. 615 0$aKings and rulers in literature. 615 0$aRhetoric, Medieval. 676 $a820.9/358 700 $aStrohm$b Paul$f1938-$01491053 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910784398403321 996 $aTheory and the premodern text$93712600 997 $aUNINA