LEADER 02272nam 2200589 a 450 001 9910784397903321 005 20230617042813.0 010 $a0-8166-9254-8 035 $a(CKB)1000000000346863 035 $a(EBL)310616 035 $a(OCoLC)476095241 035 $a(SSID)ssj0000194583 035 $a(PQKBManifestationID)11183818 035 $a(PQKBTitleCode)TC0000194583 035 $a(PQKBWorkID)10232248 035 $a(PQKB)10178504 035 $a(MiAaPQ)EBC310616 035 $a(Au-PeEL)EBL310616 035 $a(CaPaEBR)ebr10151216 035 $a(EXLCZ)991000000000346863 100 $a20021017d2003 ub 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aLove rules$b[electronic resource] $esilent Hollywood and the rise of the managerial class /$fMark Garrett Cooper 210 $aMinneapolis $cUniversity of Minnesota Press$dc2003 215 $a1 online resource (292 p.) 300 $aDescription based upon print version of record. 311 $a0-8166-3753-9 311 $a0-8166-3752-0 320 $aIncludes bibliographical references (p. 217-267) and index. 327 $aContents; Acknowledgments; Introduction; 1. The Visual Love Story; 2. The Public; 3. The Influence Industry; 4. Ethnic Management; Conclusion: Hollywood in the World; Notes; Index 330 $aThrough close study of such films as Birth of a Nation, Enoch Arden, The Crowd, Why Change Your Wife? and The Jazz Singer, Mark Garrett Cooper uncovers an intimate connection between Hollywood romances of the silent era and the empowerment of a managerial class. 606 $aLove in motion pictures 606 $aSilent films$zUnited States$xHistory and criticism 606 $aMotion picture audiences 606 $aRace relations in motion pictures 615 0$aLove in motion pictures. 615 0$aSilent films$xHistory and criticism. 615 0$aMotion picture audiences. 615 0$aRace relations in motion pictures. 676 $a791.43/63543 700 $aCooper$b Mark Garrett$01491049 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910784397903321 996 $aLove rules$93712596 997 $aUNINA