LEADER 05115nam 2200673Ia 450 001 9910452842303321 005 20200520144314.0 010 $a1-283-85709-X 010 $a1-61451-141-1 024 7 $a10.1515/9781614511410 035 $a(CKB)2550000000709238 035 $a(EBL)893997 035 $a(OCoLC)822018783 035 $a(SSID)ssj0000787213 035 $a(PQKBManifestationID)12342778 035 $a(PQKBTitleCode)TC0000787213 035 $a(PQKBWorkID)10821795 035 $a(PQKB)11465515 035 $a(MiAaPQ)EBC893997 035 $a(DE-B1597)176203 035 $a(OCoLC)840440220 035 $a(OCoLC)843634976 035 $a(DE-B1597)9781614511410 035 $a(Au-PeEL)EBL893997 035 $a(CaPaEBR)ebr10634597 035 $a(CaONFJC)MIL416959 035 $a(EXLCZ)992550000000709238 100 $a20120709d2012 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aSemiotics of classical music$b[electronic resource] $ehow Mozart, Brahms and Wagner talk to us /$fEero Tarasti 210 $aBerlin ;$aBoston $cDe Gruyter Mouton$dc2012 215 $a1 online resource (508 p.) 225 1 $aSemiotics, communication and cognition,$x1867-0873 ;$vv. 10 300 $aDescription based upon print version of record. 311 $a1-61451-154-3 320 $aIncludes bibliographical references and index. 327 $t Frontmatter -- $tContents -- $tPreface -- $tPrelude: Music - A Philosophico-Semiotic Approach -- $tChapter 1. Introduction to a Philosophy of Music -- $tPart I. THE CLASSICAL STYLE -- $tChapter 2. Mozart, or, the Idea of a Continuous Avant-garde -- $tChapter 3. Existential and Transcendental Analysis of Music -- $tChapter 4. Listening to Beethoven: Universal or National, Classic or Romantic? -- $tPart II. The Romantic Era -- $tChapter 5. The irony of romanticism -- $tChapter 6. "... ein leiser Ton gezogen ...": Robert Schumann's Fantasie in C major (op. 17) in the light of existential semiotics -- $tChapter 7. Brahms and the "Lyric I": A Hermeneutic Sign Analysis -- $tChapter 8. Brünnhilde's Choice; or, a Journey into Wagnerian Semiosis: Intuitions and Hypotheses -- $tChapter 9. Do Wagner's leitmotifs have a system? -- $tPart III. Rhetorics and Synaesthesias -- $tChapter 10. Proust and Wagner -- $tChapter 11. Rhetoric and Musical Discourse -- $tChapter 12. The semiosis of light in music: from synaesthesias to narratives -- $tChapter 13. The implicit musical semiotics of Marcel Proust -- $tChapter 14. M. K. ?iurlionis and the interrelationships of arts -- $tChapter 15. ?iurlionis, Sibelius and Nietzsche: Three profiles and interpretations -- $tPart IV. In the Slavonic World -- $tChapter 16. An essay on Russian music -- $tChapter 17. The stylistic development of a composer as a cognition of the musicologist: Bohuslav Martin? -- $tPostlude I -- $tChapter 18. Do Semantic Aspects of Music Have a Notation? -- $tPostlude II -- $tChapter 19. Music - Superior Communication -- $tGlossary of Terms -- $tBibliography -- $tIndex of persons and musical works 330 $aMusical semiotics is a new discipline and paradigm of both semiotics and musicology. In its tradition, the current volume constitutes a radically new solution to the theoretical problem of how musical meanings emerge and how they are transmitted by musical signs even in most "absolute" and abstract musical works of Western classical heritage. Works from symphonies, lied, chamber music to opera are approached and studied here with methods of semiotic inspiration. Its analyses stem from systematic methods in the author's previous work, yet totally new analytic concepts are also launched in order to elucidate profound musical significations verbally. The book reflects the new phase in the author's semiotic approach, the one characterized by the so-called "existential semiotics" elaborated on the basis of philosophers from Kant , Hegel and Kierkegaard to Jaspers, Heidegger, Sartre and Marcel. The key notions like musical subject, Schein, becoming, temporality, modalities, Dasein, transcendence put musical facts in a completely new light and perspectives of interpretation. The volume attempts to make explicit what is implicit in every musical interpretation, intuition and understanding: to explain how compositions and composers "talk" to us. Its analyses are accessible due to the book's universal approach. Music is experienced as a language, communicating from one subject to another. 410 0$aSemiotics, communication and cognition ;$v10. 606 $aMusic$xSemiotics 606 $aMusic$xPhilosophy and aesthetics 608 $aElectronic books. 615 0$aMusic$xSemiotics. 615 0$aMusic$xPhilosophy and aesthetics. 676 $a302.222 676 $a780.14 686 $aLR 55520$2rvk 700 $aTarasti$b Eero$01029237 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910452842303321 996 $aSemiotics of classical music$92476694 997 $aUNINA LEADER 04418nam 2200745Ia 450 001 9910784290303321 005 20230828201254.0 010 $a1-282-19501-8 010 $a9786612195013 010 $a3-11-019997-1 024 7 $a10.1515/9783110199970 035 $a(CKB)1000000000335148 035 $a(EBL)280202 035 $a(OCoLC)476023469 035 $a(SSID)ssj0000133671 035 $a(PQKBManifestationID)11148210 035 $a(PQKBTitleCode)TC0000133671 035 $a(PQKBWorkID)10046588 035 $a(PQKB)10837429 035 $a(MiAaPQ)EBC280202 035 $a(DE-B1597)32272 035 $a(OCoLC)741344500 035 $a(OCoLC)853251535 035 $a(DE-B1597)9783110199970 035 $a(Au-PeEL)EBL280202 035 $a(CaPaEBR)ebr10154804 035 $a(CaONFJC)MIL219501 035 $a(OCoLC)191939029 035 $a(EXLCZ)991000000000335148 100 $a20060627d2006 uy 0 101 0 $aeng 135 $aurnn#---|u||u 181 $ctxt 182 $cc 183 $acr 200 10$aCulture and identity$b[electronic resource] $ehistoricity in German literature and thought 1770-1815 /$fby Maike Oergel 210 $aBerlin ;$aNew York $cW. de Gruyter$dc2006 215 $a1 online resource (308 p.) 300 $aDescription based upon print version of record. 311 0 $a3-11-018933-X 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tChapter 1 Historicity and the Definition of Modern Culture: The German Querelle des Anciens et des Modernes and the New Concepts of Literature --$tChapter 2 The Historicity of Modern Knowledge and Consciousness: German Idealism --$tChapter 3 Historicity, Modernity and German Identity: "Stammvolk Europas" and Modern Kulturnation --$tChapter 4 Grasping the Historical Dialectic of the Modern German Existence: Goethe's Wilhelm Meisters Lehrjahre --$tChapter 5 Historicity as Identity: The German Myth of Modernity in Goethe's Faust I --$tBackmat ter 330 $aThis interdisciplinary study examines the impact of the emerging awareness of historicity on the concepts of modernity, identity, and culture as they developed in German thought around 1800. It shows how this awareness determined the German notion of the priority of cultural identity. Key texts from Sturm und Drang, Weimar Classicism, German Romanticism and German Idealism, including Goethe's Faust I and Wilhelm Meisters Lehrjahre, are contextualised in relation to post-Enlightenment debates on historicity and modernity. The study traces the modification of the Enlightenment concepts of perfectibility and universal ideals to accommodate the new notion of temporal particularity and impermanence. This is achieved by embedding these once static concepts in a historical process that is powered by a self-prompting internal dialectic. Through synthetic absorption within the historical succession the dialectical process allows for the continuity of values, while leaving room for discontinuity and difference by relying on oppositional successions. The study reveals close connections between the intellectual concerns, the literary ambitions, and the endeavours to construct a modern German identity during this period, which suggests a far greater intellectual coherence of the Goethezeit regarding intellectual challenges and objectives than has been previously assumed. 606 $aGerman literature$y18th century$xHistory and criticism 606 $aGerman literature$y19th century$xHistory and criticism 606 $aLiterature and history$zGermany 606 $aCollective memory$zGermany$xHistory$y18th century 606 $aCollective memory$zGermany$xHistory$y19th century 607 $aGermany$xCivilization$y18th century 607 $aGermany$xCivilization$y19th century 610 $aGermany/culture and arts, cultural identity, political identity. 615 0$aGerman literature$xHistory and criticism. 615 0$aGerman literature$xHistory and criticism. 615 0$aLiterature and history 615 0$aCollective memory$xHistory 615 0$aCollective memory$xHistory 676 $a830.9/006 700 $aOergel$b Maike$f1964-$01499412 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910784290303321 996 $aCulture and identity$93852632 997 $aUNINA