LEADER 02488nam 2200649Ia 450 001 9910784220103321 005 20230207225443.0 010 $a1-281-36426-6 010 $a9786611364267 010 $a1-4039-7884-0 024 7 $a10.1007/978-1-4039-7884-4 035 $a(CKB)1000000000342914 035 $a(SSID)ssj0000265516 035 $a(PQKBManifestationID)11192426 035 $a(PQKBTitleCode)TC0000265516 035 $a(PQKBWorkID)10295406 035 $a(PQKB)11434428 035 $a(DE-He213)978-1-4039-7884-4 035 $a(MiAaPQ)EBC308365 035 $a(Au-PeEL)EBL308365 035 $a(CaPaEBR)ebr10135463 035 $a(CaONFJC)MIL136426 035 $a(OCoLC)560463103 035 $a(EXLCZ)991000000000342914 100 $a20040426d2005 uy 0 101 0 $aeng 135 $aurnn#008mamaa 181 $ctxt 182 $cc 183 $acr 200 10$aUnrequited love and gay Latino culture$b[electronic resource] $eWhat have you done to my heart? /$fby Daniel Contreras 205 $a1st ed. 2005. 210 $aNew York $cPalgrave Macmillan$d2005 215 $a1 online resource (160 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a1-349-99963-6 311 $a1-4039-6468-8 320 $aIncludes bibliographical references (p. [137]-141) and index. 330 $aDrawing on a wide range of material from art, theater, music, and literature, Contreras argues that historical memory is embedded in these forms of art and can perhaps take us "somewhere better than this place." The critical energies in the book come from Chicana/o and queer studies. Contreras views unrequited love as a utopian space of possibility and transformation. The discussion includes The Boys in the Band, Arturo Islas, Paris is Burning, Judy Garland, and Kiss of the Spider Woman. 606 $aPopular culture$zUnited States 606 $aArts, American$y20th century 606 $aLove in literature 606 $aSuffering in literature 607 $aUnited States$xSocial life and customs$y1971- 615 0$aPopular culture 615 0$aArts, American 615 0$aLove in literature. 615 0$aSuffering in literature. 676 $a306.08968 700 $aContreras$b Daniel$01485724 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910784220103321 996 $aUnrequited love and gay Latino culture$93704998 997 $aUNINA LEADER 02683nam 2200565 450 001 9910785711203321 005 20230725035051.0 010 $a2-296-25664-3 035 $a(CKB)2670000000313993 035 $a(FrPJT)JTL00275330 035 $a(MH)012522450-8 035 $a(SSID)ssj0000707579 035 $a(PQKBManifestationID)12254569 035 $a(PQKBTitleCode)TC0000707579 035 $a(PQKBWorkID)10640755 035 $a(PQKB)10477880 035 $a(MiAaPQ)EBC6149449 035 $a(EXLCZ)992670000000313993 100 $a20200629d2010 uy 0 101 0 $afre 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 12$aL'avocat dans la litte?rature du Moyen A?ge et de la Renaissance /$fAgne?s Aguer 210 1$aParis :$cL'Harmattan,$d[2010] 210 4$d©2010 215 $a1 online resource (201 p. ) 225 1 $aApproches litte?raires 300 $a"Me?moire e?tabli ... dans le cadre du Master I Lettres modernes, Universite? de Pau et des Pays de l'Adour, UFR des lettres, langues et sciences humaines". 311 $a2-296-11888-7 320 $aIncludes bibliographical references (pages [191]-195). 330 $aLa profession d'avocat réapparaît au Moyen Âge après plusieurs siècles d'oubli. La littérature s'en empare alors pour faire la satire de cet homme de justice représentant d'une classe sociale nouvelle, la bourgeoisie, et de valeurs nouvelles, celles de l'argent. Cet essai étudie la perception du personnage de l'avocat à travers La Farce de Maître Pathelin et les oeuvres d'Eustache Deschamps, Noël du Fail, Bonaventure des Periers, Marguerite de Navarre, François Rabelais, Henri Estienne, Michel de Montaigne, Jacques Grévin et Rémy Belleau. 410 0$aApproches litte?raires. 606 $aFrench literature$yTo 1500$xHistory and criticism 606 $aFrench literature$y16th century$xHistory and criticism 606 $aLawyers in literature 615 0$aFrench literature$xHistory and criticism. 615 0$aFrench literature$xHistory and criticism. 615 0$aLawyers in literature. 676 $a840.9001 700 $aAguer$b Agne?s$01567984 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910785711203321 996 $aL'avocat dans la litte?rature du Moyen A?ge et de la Renaissance$93839804 997 $aUNINA 999 $aThis Record contains information from the Harvard Library Bibliographic Dataset, which is provided by the Harvard Library under its Bibliographic Dataset Use Terms and includes data made available by, among others the Library of Congress