LEADER 03934nam 2200709 a 450 001 9910784198303321 005 20200520144314.0 010 $a1-280-85953-9 010 $a9786610859535 010 $a1-4294-2700-0 010 $a90-474-0539-0 010 $a1-4337-0402-1 024 7 $a10.1163/9789047405399 035 $a(CKB)1000000000334991 035 $a(EBL)280640 035 $a(OCoLC)476024129 035 $a(SSID)ssj0000185762 035 $a(PQKBManifestationID)11184745 035 $a(PQKBTitleCode)TC0000185762 035 $a(PQKBWorkID)10210535 035 $a(PQKB)10570201 035 $a(MiAaPQ)EBC280640 035 $a(OCoLC)650136881 035 $a(nllekb)BRILL9789047405399 035 $a(Au-PeEL)EBL280640 035 $a(CaPaEBR)ebr10171635 035 $a(CaONFJC)MIL85953 035 $a(OCoLC)191952634 035 $a(PPN)170743330 035 $a(EXLCZ)991000000000334991 100 $a20040922d2005 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aJoannes Sambucus and the learned image$b[electronic resource] $ethe use of the emblem in late-Renaissance humanism /$fArnoud S.Q. Visser 210 $aLeiden ;$aBoston $cBrill$d2005 215 $a1 online resource (328 p.) 225 1 $aBrill's studies in intellectual history,$x0920-8607 ;$vv. 128 300 $aDescription based upon print version of record. 311 $a90-04-13866-8 320 $aIncludes bibliographical references (p. [277]-287) and index. 327 $tPreliminary Material /$rA.S.Q. Visser -- $tChapter One: The World of the Author /$rA.S.Q. Visser -- $tChapter Two: The World of the Publisher /$rA.S.Q. Visser -- $tChapter Three: Sambucus About the Emblem /$rA.S.Q. Visser -- $tChapter Four. The Use of Dedications /$rA.S.Q. Visser -- $tChapter Five: The Epigrams: Subject-Matter, Structure and Style /$rA.S.Q. Visser -- $tChapter Six: The Uses of Classical Sources /$rA.S.Q. Visser -- $tChapter Seven: Word and Image in Pictura and Epigram /$rA.S.Q. Visser -- $tConclusion /$rA.S.Q. Visser -- $tAppendix One: Concordance to the Emblems /$rA.S.Q. Visser -- $tAppendix Two: List of Dedicatees /$rA.S.Q. Visser -- $tAppendix Three. Relations Between Epigram and Pictura /$rA.S.Q. Visser -- $tSelect Bibliography /$rA.S.Q. Visser -- $tGeneral Index /$rA.S.Q. Visser -- $tIndex of Emblems /$rA.S.Q. Visser. 330 $aThe emblem is one of the most remarkable literary inventions of Renaissance humanism. The symbolic imagery presented in these Neo-Latin emblem books constituted an important influence on many areas in early modern literature and art. This volume provides the first comprehensive study of Sambucus? influential Emblemata (first published by Christopher Plantin, Antwerp, 1564). It reconstructs the cultural-historical contexts in which it was produced, thus reconsidering the social and commercial functions of the humanist emblem. Accompanied by a detailed analysis of individual emblems, it takes into account the emblems? classical intertextuality and the relationship between word and image. This study shows how the emblematic practice can differ from contemporary symbol and emblem theories, which have often coloured modern interpretations of the genre. 410 0$aBrill's studies in intellectual history ;$vv. 128. 606 $aEmblem books, Latin$xHistory 606 $aEmblems in literature 606 $aHumanists$zHungary 607 $aHungary$xIntellectual life$y16th century 615 0$aEmblem books, Latin$xHistory. 615 0$aEmblems in literature. 615 0$aHumanists 676 $a878/.0402 700 $aVisser$b A. S. Q$g(Arnoud S. Q.)$01515451 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910784198303321 996 $aJoannes Sambucus and the learned image$93751175 997 $aUNINA