LEADER 02418nam 22005533u 450 001 9910784170003321 005 20230828213222.0 010 $a1-280-70958-8 010 $a9786610709588 010 $a5-551-58034-2 010 $a1-84150-955-8 035 $a(CKB)1000000000338309 035 $a(EBL)283074 035 $a(OCoLC)476029343 035 $a(SSID)ssj0000101335 035 $a(PQKBManifestationID)11108534 035 $a(PQKBTitleCode)TC0000101335 035 $a(PQKBWorkID)10038579 035 $a(PQKB)11705038 035 $a(MiAaPQ)EBC283074 035 $a(EXLCZ)991000000000338309 100 $a20130418d2006|||| u|| | 101 0 $aeng 181 $ctxt 182 $cc 183 $acr 200 10$aAllegorical Images$b[electronic resource] $eTableau, Time and Gesture in the Cinema of Werner Schroeter 210 $aBristol $cIntellect$d2006 215 $a1 online resource (218 p.) 300 $aDescription based upon print version of record. 311 $a1-84150-138-7 327 $aContents; Introduction; A Cinema on the Margins: Contextualizing the Films of Werner Schroeter; Towards a Theory of Cinematic Allegory; The Allegorical Tableau; Allegorical Montage; A Gestural Cinema: Allegorical Figures and Faulty Performances; Brecht and Beyond: From Social to Allegorical Gestus; Werner Schroeter Filmography; Bibliography; Index 330 $aWerner Schroeter is one of the most important and influential directors of the New German Cinema, yet discussion of his films within film theory has been intermittent and un-sustained. This book provides a long-overdue introduction to Schroeter's visually lavish, idiosyncratic and conceptually rich cinema, situating its emergence within the context of the West German television and film subsidy system during the 1970's, then moving on to engage with some of the most pertinent and important arguments in contemporary film theory. 606 $aArt and technology 606 $aJudaism and art 606 $aSchroeter, Werner 615 4$aArt and technology. 615 4$aJudaism and art. 615 4$aSchroeter, Werner. 676 $a704.0392400904 676 $a791.430233 700 $aLangford$b Michelle$01464747 801 0$bAU-PeEL 801 1$bAU-PeEL 801 2$bAU-PeEL 906 $aBOOK 912 $a9910784170003321 996 $aAllegorical Images$93674553 997 $aUNINA