LEADER 01204nam2-2200373---450- 001 990003152070203316 005 20080929102658.0 010 $a3-487-00016-4 035 $a000315207 035 $aUSA01000315207 035 $a(ALEPH)000315207USA01 035 $a000315207 100 $a20080929d1992----km-y0itay50------ba 101 $ager 102 $aDE 105 $a||||||||001yy 200 1 $a<<1.>> : Scriptores graeci$fherausgegeben von Wilhelm Engelmann 205 $a8. ed., umfassed die literatur von 1700 bis 1878$fneu bearbeibet von Emil Preuss 210 $aHildesheim [etc.]$cG. Olms$d1992 215 $aVII, 802 p.$d23 cm 300 $a2. ripr. dell'ed. Leipzig : Wilhelm Engelmann ; London : Dulau & Co., 1880 461 1$1001000315201$12001$aBibliotheca scriptorum classicorum 606 0 $aLetteratura greca$xBibliografia$2BNCF 676 $a016.8 702 1$aENGELMANN,$bWilhelm 702 1$aPREUSS,$bEmil 801 0$aIT$bsalbc$gISBD 912 $a990003152070203316 951 $aV.1. Bibl. 8/1$b208440 L.M.$cV.1.$d00167405 959 $aBK 969 $aUMA 979 $aGIUSY$b90$c20080929$lUSA01$h1026 996 $aScriptores graeci$91018111 997 $aUNISA LEADER 03181nam 2200685Ia 450 001 9910784162603321 005 20230721025528.0 010 $a1-280-74769-2 010 $a9786610747696 010 $a1-84150-979-5 024 3 $z9781841501505 035 $a(CKB)1000000000338300 035 $a(EBL)285329 035 $a(OCoLC)236337950 035 $a(SSID)ssj0000154806 035 $a(PQKBManifestationID)11151506 035 $a(PQKBTitleCode)TC0000154806 035 $a(PQKBWorkID)10417244 035 $a(PQKB)10867523 035 $a(MiAaPQ)EBC285329 035 $a(Au-PeEL)EBL285329 035 $a(CaPaEBR)ebr10158460 035 $a(CaONFJC)MIL74769 035 $a(EXLCZ)991000000000338300 100 $a20070315d2007 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aFilm, drama and the break-up of Britain$b[electronic resource] /$fSteve Blandford 210 $aBristol, UK ;$aChicago, USA $cIntellect$d2007 215 $a1 online resource (202 p.) 300 $aDescription based upon print version of record. 311 $a1-84150-150-6 320 $aIncludes bibliographical references (p. [181]-189) and index. 327 $aFront Cover; Preliminaries; Contents; Acknowledgements; Chapter 1 Introduction; Chapter 2 Last Orders in Wonderland: England and Cinema; Chapter 3 Beyond 'Priests, Pigs and Poverty': Ireland and Cinema; Chapter 4 'We Can't Even Pick a Decent Country to be Colonised By': Scotland and Cinema; Chapter 5 'A Beautiful Mistake': Wales and Cinema; Chapter 6 'An Evaporation of Certainty': England and Theatre; Chapter 7 'Protestants Don't Write Plays, You See': Ireland and Theatre; Chapter 8 No More 'Cultural Cringe': Scotland and Theatre; Chapter 9 Behind 'the Fac?ade of Cool Cymru': Wales and Theatre 327 $aBibliographyIndex; Back Cover 330 $aWhen the sun set on the British Empire, the resultant fragmentation of British identity emerged most tellingly in artistic works: cinematic works such as Howards End depicted a richly historical land steeped in tradition and tragedy, while the more modern Lock, Stock and Two Smoking Barrels revealed a brutal yet sharply humorous portrayal of contemporary English life. 606 $aMotion pictures$zGreat Britain$xHistory and criticism 606 $aTheater$zGreat Britain$xHistory and criticism 606 $aMotion pictures$xPolitical aspects$zGreat Britain 606 $aTheater$xPolitical aspects$zGreat Britain 606 $aNationalism in motion pictures 606 $aNationalism in literature 615 0$aMotion pictures$xHistory and criticism. 615 0$aTheater$xHistory and criticism. 615 0$aMotion pictures$xPolitical aspects 615 0$aTheater$xPolitical aspects 615 0$aNationalism in motion pictures. 615 0$aNationalism in literature. 676 $a302.2340941 700 $aBlandford$b Steven$01479265 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910784162603321 996 $aFilm, drama and the break-up of Britain$93818608 997 $aUNINA