LEADER 03838nam 2200697Ia 450 001 9910784160303321 005 20230828234158.0 010 $a1-281-36097-X 010 $a9786611360979 010 $a0-230-60138-3 024 7 $a10.1057/9780230601383 035 $a(CKB)1000000000342659 035 $a(EBL)307908 035 $a(OCoLC)234083869 035 $a(SSID)ssj0000184887 035 $a(PQKBManifestationID)11178877 035 $a(PQKBTitleCode)TC0000184887 035 $a(PQKBWorkID)10205736 035 $a(PQKB)10603201 035 $a(SSID)ssj0000741279 035 $a(PQKBManifestationID)12322388 035 $a(PQKBTitleCode)TC0000741279 035 $a(PQKBWorkID)10720649 035 $a(PQKB)11371901 035 $a(DE-He213)978-0-230-60138-3 035 $a(MiAaPQ)EBC307908 035 $a(Au-PeEL)EBL307908 035 $a(CaPaEBR)ebr10167474 035 $a(CaONFJC)MIL136097 035 $a(EXLCZ)991000000000342659 100 $a20060704d2006 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aJames Baldwin and Toni Morrison$b[electronic resource] $ecomparative critical and theoretical essays /$fedited by Lovalerie King and Lynn Orilla Scott 205 $a1st ed. 2006. 210 $aNew York, N.Y. ;$aBasingstoke $cPalgrave Macmillan$d2006 215 $a1 online resource (311 p.) 300 $aDescription based upon print version of record. 311 $a0-230-61972-X 311 $a1-4039-7073-4 320 $aIncludes bibliographical references and index. 327 $aCOVER; CONTENTS; ACKNOWLEDGMENTS; INTRODUCTION: BALDWIN AND MORRISON IN DIALOGUE; BALDWIN'S BOP 'N' MORRISON'S MOOD: BEBOP AND RACE IN JAMES BALDWIN'S ANOTHER COUNTRY AND TONI MORRISON'S JAZZ; NARRATING THE BEAT OF THE HEART, JAZZING THE TEXT OF DESIRE: A COMPARATIVE INTERFACE OF JAMES BALDWIN'S ANOTHER COUNTRY AND TONI MORRISON'S JAZZ; REVISING REVISION: METHODOLOGIES OF LOVE, DESIRE, AND RESISTANCE IN BELOVED AND IF BEALE STREET COULD TALK; REVISING THE INCEST STORY: TONI MORRISON'S THE BLUEST EYE AND JAMES BALDWIN'S JUST ABOVE MY HEAD 327 $aWATCHERS WATCHING WATCHERS: POSITIONING CHARACTERS AND READERS IN BALDWIN'S ""SONNY'S BLUES"" AND MORRISON'S ""RECITATIF""PLAYING A MEAN GUITAR: THE LEGACY OF STAGGERLEE IN BALDWIN AND MORRISON; REFIGURING THE FLESH: THE WORD, THE BODY, AND THE RITUALS OF BEING IN BELOVED AND GO TELL IT ON THE MOUNTAIN; RESISTANCE AGAINST RACIAL, SEXUAL, AND SOCIAL OPPRESSION IN GO TELL IT ON THE MOUNTAIN AND BELOVED; SECULAR WORD, SACRED FLESH: PREACHERS IN THE FICTION OF BALDWIN AND MORRISON; UNSEEN OR UNSPEAKABLE? RACIAL EVIDENCE IN BALDWIN'S AND MORRISON'S NONFICTION 327 $aTHE ART OF WHITENESS IN THE NONFICTION OF JAMES BALDWIN AND TONI MORRISONTHE EVIDENCE OF THINGS NOT SEEN: THE ALCHEMY OF RACE AND SEXUALITY; FEMININITY, ABJECTION, AND (BLACK) MASCULINITY IN JAMES BALDWIN'S GIOVANNI'S ROOM AND TONI MORRISON'S BELOVED; NOTES ON CONTRIBUTORS; INDEX 330 $aThis collection of comparative critical and theoretical essays examines James Baldwin and Toni Morrison's reciprocal literary relationship. By reading these authors side-by-side, this collection forges new avenues of discovery and interpretation related to their representations of African American and American literature and cultural experience. 606 $aAfrican Americans in literature 615 0$aAfrican Americans in literature. 676 $a810.989607309045 686 $a18.06$2bcl 701 $aKing$b Lovalerie$01516269 701 $aScott$b Lynn Orilla$f1950-$01556108 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910784160303321 996 $aJames Baldwin and Toni Morrison$93818585 997 $aUNINA