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100   $a20030416d2003      ub             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 00$aCompelling visuality$b[electronic resource] $ethe work of art in and out of history /$fClaire Farago and Robert Zwijnenberg, editors
210   $aMinneapolis $cUniversity of Minnesota Press$dc2003
215   $a1 online resource (256 p.)
300   $aDescription based upon print version of record.
311   $a0-8166-4116-1 
311   $a0-8166-4115-3 
320   $aIncludes bibliographical references.
327   $aContents; Art History after Aesthetics: A Provocative Introduction; ONE: Ecstatic Aesthetics: Metaphoring Bernini; TWO: Before the Image, Before Time: The Sovereignty of Anachronism; THREE: Aesthetics before Art: Leonardo through the Looking Glass; FOUR: Touching the Face: The Ethics of Visuality between Levinas and a Rembrandt Self-Portrait; FIVE: Presence and Absence: On Leonardo da Vinci's Saint John the Baptist; SIX: Rococo as the Dissipation of Boredom; SEVEN: Mourning and Method; EIGHT: A Guide to Interpretation: Art Historical Hermeneutics; NINE: Seeing Soane Seeing You; Contributors
330   $aTakes up the commonly unexplored question of what is actually present in art-what aspects have survived the vicissitudes of time. International and interdisciplinary, this volume conducts readers into a discussion of the significance of personal response to works of art.
606   $aArt and history
606   $aArt criticism
606   $aVisual perception
615  0$aArt and history.
615  0$aArt criticism.
615  0$aVisual perception.
676   $a701/.18
701   $aFarago$b Claire J$0910662
701   $aZwijnenberg$b Robert$f1954-$01504924
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910784114503321
996   $aCompelling visuality$93847599
997   $aUNINA