LEADER 02595nam 2200673 a 450 001 9910784113803321 005 20200520144314.0 010 $a0-8166-9546-6 035 $a(CKB)1000000000346756 035 $a(EBL)310651 035 $a(OCoLC)476095447 035 $a(SSID)ssj0000257016 035 $a(PQKBManifestationID)11216951 035 $a(PQKBTitleCode)TC0000257016 035 $a(PQKBWorkID)10228188 035 $a(PQKB)10256499 035 $a(OCoLC)191953320 035 $a(MdBmJHUP)muse39926 035 $a(Au-PeEL)EBL310651 035 $a(CaPaEBR)ebr10151192 035 $a(CaONFJC)MIL522816 035 $a(MiAaPQ)EBC310651 035 $a(EXLCZ)991000000000346756 100 $a20030710d2004 ub 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aTempest in the Caribbean$b[electronic resource] /$fJonathan Goldberg 210 $aMinneapolis $cUniversity of Minnesota Press$dc2004 215 $a1 online resource (208 p.) 300 $aDescription based upon print version of record. 311 $a0-8166-4261-3 311 $a0-8166-4260-5 320 $aIncludes bibliographical references and index. 327 $aContents; Preface; Acknowledgments; A Different Kind of Creature; Caliban's "Woman"; Miranda's Meanings; Notes; Index 330 $aThis book reads some of the "classic" anticolonial texts-by Aime? Ce?saire and Roberto Ferna?ndez Retamar, for instance-through the lens of feminist and queer analysis. By placing gender and sexuality at the center of the debate about the uses of Shakespeare for anticolonial purposes, Goldberg's work points to possibilities that might be articulated through the nexus of race and sexuality. 606 $aCaribbean literature$y20th century$xHistory and criticism 606 $aIslands in literature 606 $aPolitical refugees in literature 606 $aPostcolonialism$zCaribbean Area 606 $aShipwrecks in literature 607 $aCaribbean Area$xIn literature 607 $aCaribbean Area$xIntellectual life$y20th century 615 0$aCaribbean literature$xHistory and criticism. 615 0$aIslands in literature. 615 0$aPolitical refugees in literature. 615 0$aPostcolonialism 615 0$aShipwrecks in literature. 676 $a822.3/3 700 $aGoldberg$b Jonathan$0251465 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910784113803321 996 $aTempest in the Caribbean$91000588 997 $aUNINA