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100   $a20060221d2006      ub             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aNoise orders$b[electronic resource] $ejazz, improvisation, and architecture /$fDavid P. Brown
210   $aMinneapolis $cUniversity of Minnesota Press$dc2006
215   $a1 online resource (193 p.)
300   $aDescription based upon print version of record.
311   $a0-8166-4351-2 
311   $a0-8166-4350-4 
320   $aIncludes bibliographical references (p. 133-151) and index.
327   $aCompositional imperatives: Mondrian and boogie-woogie -- What is the body supposed to be doing? John Cage and Rahsaan Roland Kirk -- Now's the time: temporalities of Louis Armstrong and Le Corbusier -- Function, flexibility, and improvisation: the AACM and Mies Van Der Rohe -- Diagrams, conduction, and the contemporary city.
330   $aIn Noise Orders, David Brown locates jazz music within the broad aesthetic, political, and theoretical upheavals of our time, asserting that modern architecture can be strongly influenced by jazz improvisation. Comparing artists and architects with individuals and groups in jazz-including Piet Mondrian and boogie-woogie, John Cage and Rahsaan Roland Kirk-Brown examines how jazz can provide insight on how to develop dynamic metropolitan environments.
606   $aMusic and architecture
606   $aJazz$xAnalysis, appreciation
606   $aImprovisation (Music)
615  0$aMusic and architecture.
615  0$aJazz$xAnalysis, appreciation.
615  0$aImprovisation (Music)
676   $a781.65/117
700   $aBrown$b David$f1965-$0320069
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996   $aNoise orders$93775974
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