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100   $a19991012d2000      ub             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
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200 04$aThe brain is the screen$b[electronic resource] $eDeleuze and the philosophy of cinema /$fGregory Flaxman, editor
210   $aMinneapolis $cUniversity of Minnesota Press$dc2000
215   $a1 online resource (406 p.)
300   $aDescription based upon print version of record.
311   $a0-8166-3447-5 
311   $a0-8166-3446-7 
320   $aIncludes bibliographical references and index.
327   $aContents; Acknowledgments; Introduction; APPROACHING IMAGES; MAPPING IMAGES; THINKING IMAGES; AFTER-IMAGE; Contributors; Index
330   $aThe first broad-ranging collection on Deleuze's essential works on cinema. In the nearly twenty years since their publication, Gilles Deleuze's books about cinema have proven as daunting as they are enticing-a new aesthetics of film, one equally at home with Henri Bergson and Wim Wenders, Friedrich Nietzsche and Orson Welles, that also takes its place in the philosopher's immense and difficult oeuvre. With this collection, the first to focus solely and extensively on Deleuze's cinematic work, the nature and reach of that work finally become clear. Composed of a substantial introduction, twelve
606   $aMotion pictures$xPhilosophy
615  0$aMotion pictures$xPhilosophy.
676   $a791.43/01
701   $aFlaxman$b Gregory$01530688
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801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910784101603321
996   $aThe brain is the screen$93775910
997   $aUNINA