LEADER 03344oam 2200697I 450 001 9910784089103321 005 20230617035325.0 010 $a1-134-96744-6 010 $a1-280-14058-5 010 $a0-203-99395-0 035 $a(CKB)1000000000255551 035 $a(EBL)235404 035 $a(OCoLC)259511935 035 $a(SSID)ssj0000257803 035 $a(PQKBManifestationID)11209810 035 $a(PQKBTitleCode)TC0000257803 035 $a(PQKBWorkID)10254733 035 $a(PQKB)10907395 035 $a(MiAaPQ)EBC235404 035 $a(OCoLC)252971695 035 $a(FlBoTFG)9780203993958 035 $a(EXLCZ)991000000000255551 100 $a20190122h20052002 uy 0 101 0 $aeng 135 $aur||| ||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe Theatres of Moliere /$fby Gerry McCarthy and Gerry Mccarthy 205 $aFirst edition. 210 1$aBoca Raton, FL :$cTaylor and Francis, an imprint of Routledge,$d[2005]. 210 4$dİ2002. 215 $a1 online resource (257 p.) 225 1 $aTheatre Production Studies 300 $aDescription based upon print version of record. 311 $a0-415-03349-7 327 $aBook Cover; Title; Contents; List of figures; Acknowledgements; Preface; Introduction; Street and stage; Education: Jean-Baptiste Poquelin at the College de Clermont; Farceurs: Old French Farce and commedia dell'arte; Country manners; L'cole des femmes and the form of comedy; The court dramatist; Stages; Scenes and costumes; Acting; The town playhouse at the Palais-Royal; The polite audience; Behaviour reviewed: Le Misanthrope at the Palais-Royal; Conclusion; Notes; Index 330 3 $aMoliere's plays are the cornerstone of the French Classical dramatic repertoire. Adapted and exploited in his day by dramatists of the English Restoration, they are now again growing in popularity. In this detailed and fascinating volume, Gerry McCarthy examines the practice and method of possibly the greatest actor-dramatist. From the rough farces of Moliere's days on the road to the creation of the diverse and spectacular court entertainments on his return to Paris, McCarthy sheds new light on the dramatic intelligence and theatrical understanding of Moliere's writing for the actor. Drawing on Moliere's own brief discussions of performance and the contemporary evidence of his practice, this is a crucial addition to the debate on style and method in classical acting and on the staging of classical plays on the contemporary stage. 410 0$aTheatre Production Studies 606 $aMoliere - Dramatic production 606 $aMoliere - Stage history 606 $aMolie?re 606 $aFrench Literature$2HILCC 606 $aRomance Literatures$2HILCC 606 $aLanguages & Literatures$2HILCC 615 4$aMoliere - Dramatic production. 615 4$aMoliere - Stage history. 615 4$aMolie?re. 615 7$aFrench Literature 615 7$aRomance Literatures 615 7$aLanguages & Literatures 676 $a792.95094409032 676 $a842.2 700 $aMcCarthy$b Gerry$0560329 702 $aMccarthy$b Gerry 801 0$bFlBoTFG 801 1$bFlBoTFG 906 $aBOOK 912 $a9910784089103321 996 $aThe Theatres of Moliere$93817075 997 $aUNINA