LEADER 03472oam 2200685I 450 001 9910784050503321 005 20230617003909.0 010 $a1-134-34681-6 010 $a1-134-34682-4 010 $a1-280-30264-X 010 $a9786610302642 010 $a0-203-08703-8 035 $a(CKB)1000000000256307 035 $a(EBL)3060488 035 $a(SSID)ssj0000275209 035 $a(PQKBManifestationID)11235428 035 $a(PQKBTitleCode)TC0000275209 035 $a(PQKBWorkID)10331964 035 $a(PQKB)10506006 035 $a(MiAaPQ)EBC3060488 035 $a(MiAaPQ)EBC243368 035 $a(Au-PeEL)EBL3060488 035 $a(CaPaEBR)ebr10163425 035 $a(CaONFJC)MIL30264 035 $a(OCoLC)922956866 035 $a(OCoLC)252762399 035 $a(FlBoTFG)9780203087039 035 $a(Au-PeEL)EBL243368 035 $a(OCoLC)475963985 035 $a(EXLCZ)991000000000256307 100 $a20190122d2005 uy 0 101 0 $aeng 135 $aur||| ||||| 181 $ctxt 182 $cc 183 $acr 200 10$aWriting Back to Modern Art $eAfter Greenberg, Fried and Clark /$fby Jonathan Harris 205 $aFirst edition. 210 1$aBoca Raton, FL :$cTaylor and Francis, an imprint of Routledge,$d2005. 215 $a1 online resource (289 p.) 300 $aDescription based upon print version of record. 311 $a0-415-32429-7 311 $a0-415-32428-9 320 $aIncludes bibliographical references and index. 327 $a""Book Cover""; ""Title""; ""Copyright""; ""Contents""; ""Illustrations""; ""Acknowledgements""; ""Introduction""; ""Chapter 1 Modernisma???s modern art""; ""Chapter 2 Pure formality""; ""Chapter 3 Pollock, or a???abstractiona???""; ""Chapter 4 Cubisma???s complexities""; ""Chapter 5 The materials of seeing""; ""Chapter 6 Modernisma???s Manet""; ""Conclusion""; ""Notes""; ""Index"" 330 3 $aHere for the first time is a full-length study of the 'critical modernisms' of the three leading art writers of the second half of the twentieth century, which helps us build a better understanding of the development of modern art writing and its relation to the 'post-modern' in art and society since the 1970s. Focusing on canonical modern artists such as Manet, Cezanne, Picasso and Pollock, this book providesan important understanding of writing and criticism in modern art for all students and scholars of art theory and art history. Mainstay issues discussed include aesthetic evaluation, subjectivity and meaning in art and art writing. Jonathan Harris examines key discourses and identifies points of significant overlap as well as sharp disjunction between the critics. Developing the notions of 'good' and 'bad' complexity in modernist criticism, Writing Back to Modern Art creates ways for us to think outside of these discourses of value and meaning and helps us to look at the place that art writing holds in the latter twentieth century and beyond. 606 $aArt criticism$zUnited States$xHistory$y20th century 606 $aModernism (Art) 606 $aArt, Abstract 615 0$aArt criticism$xHistory 615 0$aModernism (Art) 615 0$aArt, Abstract. 676 $a701.18097309045 700 $aHarris$b Jonathan$0555113 801 0$bFlBoTFG 801 1$bFlBoTFG 906 $aBOOK 912 $a9910784050503321 996 $aWriting back to modern art$91135895 997 $aUNINA