LEADER 03560oam 2200685I 450 001 9910783984303321 005 20230207225200.0 010 $a1-134-52356-4 010 $a1-134-52357-2 010 $a0-203-59871-7 010 $a1-280-04845-X 010 $a0-203-50649-9 024 7 $a10.4324/9780203506493 035 $a(CKB)1000000000252609 035 $a(EBL)182226 035 $a(OCoLC)475895137 035 $a(SSID)ssj0000475720 035 $a(PQKBManifestationID)11298076 035 $a(PQKBTitleCode)TC0000475720 035 $a(PQKBWorkID)10469937 035 $a(PQKB)10040127 035 $a(MiAaPQ)EBC182226 035 $a(Au-PeEL)EBL182226 035 $a(CaPaEBR)ebr10161630 035 $a(CaONFJC)MIL4845 035 $a(OCoLC)56588255 035 $a(EXLCZ)991000000000252609 100 $a20180706d2004 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aPhotographs objects histories $eon the materiality of images /$fedited by Elizabeth Edwards and Janice Hart 210 1$aLondon ;$aNew York :$cRoutledge,$d2004. 215 $a1 online resource (251 p.) 225 1 $aMaterial cultures 300 $aDescription based upon print version of record. 311 $a0-415-25442-6 311 $a0-415-25441-8 320 $aIncludes bibliographical references (p. 203-218) and index. 327 $aBook Cover; Title; Contents; List of illustrations; List of contributors; Acknowledgements; Introduction: photographs as objects; Un beau souvenir du Canada: object, image, symbolic space; Ere the substance fade: photography and hair jewellery; Mixed box: the cultural biography of a box of 'ethnographic' photographs; Making meaning: displaced materiality in the library and art museum; Making a journey: the Tupper scrapbooks and the travel they describe; Photographic playing cards and the colonial metaphor: teaching the Dutch colonial culture 327 $a'Under the gaze of the ancestors': photographs and performance in colonial AngolaThe photograph reincarnate: the dynamics of Tibetan relationships with photography; 'Photo-cross': the political and devotional lives of a Romanian Orthodox photograph; Print Club photography in Japan: framing social relationships; Photographic materiality in the age of digital reproduction; References; Index 330 $aThis innovative volume explores the idea that while photographs are images, they are also objects, and this materiality is integral to their meaning and use. The case studies presented focus on photographs active in different institutional, political, religious and domestic spheres, where physical properties, the nature of their use and the cultural formations in which they function make their 'objectness' central to how we should understand them.The book's contributions are drawn from disciplines including the history of photography, visual anthropology and art history, with case studies 410 0$aMaterial cultures. 606 $aPhotography in anthropology 606 $aPhotographs$xSocial aspects 606 $aMaterial culture 615 0$aPhotography in anthropology. 615 0$aPhotographs$xSocial aspects. 615 0$aMaterial culture. 676 $a306.4 701 $aEdwards$b Elizabeth$f1952-$0857703 701 $aHart$b Janice$f1951-$01479914 801 0$bFlBoTFG 801 1$bFlBoTFG 906 $aBOOK 912 $a9910783984303321 996 $aPhotographs objects histories$93696293 997 $aUNINA