LEADER 02064oam 2200601I 450 001 9910783973203321 005 20230617040213.0 010 $a1-135-87438-7 010 $a1-135-87439-5 010 $a1-280-10688-3 010 $a0-203-99720-4 024 7 $a10.4324/9780203997208 035 $a(CKB)1000000000254490 035 $a(EBL)237369 035 $a(OCoLC)437151000 035 $a(SSID)ssj0000131699 035 $a(PQKBManifestationID)11142490 035 $a(PQKBTitleCode)TC0000131699 035 $a(PQKBWorkID)10027952 035 $a(PQKB)10395530 035 $a(MiAaPQ)EBC237369 035 $a(Au-PeEL)EBL237369 035 $a(CaPaEBR)ebr10094821 035 $a(CaONFJC)MIL10688 035 $a(OCoLC)252952235 035 $a(EXLCZ)991000000000254490 100 $a20180331d2005 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe craft of modal counterpoint $ea practical approach /$fThomas Benjamin 205 $a2nd ed. 210 1$aNew York :$cRoutledge,$d2005. 215 $a1 online resource (203 p.) 300 $aDescription based upon print version of record. 311 $a0-415-97172-1 311 $a0-415-97171-3 320 $aIncludes bibliographical references (p. 187), discography (p. 188), and index. 327 $aGeneral stylistic aspects -- Two-voice counterpoint -- Three-voice counterpoint -- Counterpoint in four voices -- The motet. 330 $aThe companion book to Benjamin's recently republished Craft of Tonal Counterpoint, this entirely rewritten second edition provides a complete analysis of modal counterpoint - the important musical style that forms the basis of all early music. 606 $aCounterpoint 615 0$aCounterpoint. 676 $a781.2/86 700 $aBenjamin$b Thomas.$0704057 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910783973203321 996 $aThe craft of modal counterpoint$93756180 997 $aUNINA