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101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 04$aThe African diaspora$b[electronic resource] $ea musical perspective /$fedited by Ingrid Monson
210   $aLondon $cRoutledge$d2003
215   $a1 online resource (370 p.)
225 1 $aCritical and cultural musicology
300   $aOriginally published: New York; London: Garland, 2000.
311   $a0-203-60541-1 
311   $a0-415-96769-4 
320   $aIncludes bibliographical references and index.
327   $aBook Cover; Title; Contents; Series Editor's Foreword; Introduction; Jazz Performance as Ritual: The Blues Aesthetic  and the African Diaspora; Communities of Style: Musical Figures of Black Diasporic Identity; Jazz on the Global Stage; Women, Music, and the ~Mystique~ of Hunters in Mali; Mamaya: Renewal and Tradition in Maninnka Music of Kankan, Guinea (1935  45); Concepts of Neo-African Music as Manifested in the Yoruba Folk Opera; They Just Need Money: Goods and Gods, Power and Truth in a West African Village; Militarism in Haitian Music
327   $aMusical Revivals and Social Movements in Contemporary Martinique: Ideology, Identity, AmbivalenceArt Blakey's African Diaspora; Contributors; Index
330   $aThe African Diaspora presents musical case studies from various regions of the African diaspora, including Africa, the Caribbean, Latin America, and Europe, that engage with broader interdisciplinary discussions about race, gender, politics, nationalism, and music.
410  0$aCritical and cultural musicology.
606   $aBlack people$vMusic$xHistory and criticism
606   $aMusic$zAfrica$xHistory and criticism
615  0$aBlack people$xHistory and criticism.
615  0$aMusic$xHistory and criticism.
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676   $a780/.89/96
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701   $aMonson$b Ingrid T$g(Ingrid Tolia)$0906600
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906   $aBOOK
912   $a9910783969503321
996   $aThe African diaspora$93756146
997   $aUNINA