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100   $a20180331d1999      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 14$aThe social history of art /$fArnold Hauser, with an introduction by Jonathan Harris
205   $a3rd ed.
210  1$aLondon ;$aNew York :$cRoutledge,$d1999.
215   $a1 online resource (290 p.)
225 0 $aThe social history of art ;$vv.3
300   $aDescription based upon print version of record.
311   $a1-138-13954-8 
311   $a0-415-19947-6 
320   $aIncludes bibliographical references and indexes.
327   $aBOOK COVER; HALF-TITLE; TITLE; COPYRIGHT; CONTENTS; ILLUSTRATIONS; GENERAL INTRODUCTION; INTRODUCTION TO VOLUME III; 1. THE DISSOLUTION OF COURTLY ART; 2. THE NEW READING PUBLIC; 3. THE ORIGINS OF DOMESTIC DRAMA; 4. GERMANY AND THE ENLIGHTENMENT; 5. REVOLUTION AND ART; 6. GERMAN AND WESTERN ROMANTICISM; NOTES; INDEX
330   $aFirst published in 1951 Arnold Hausers commanding work presents an account of the development and meaning of art from its origins in the Stone Age through to the Film Age. Exploring the interaction between art and society, Hauser effectively details social and historical movements and sketches the frameworks in which visual art is produced.This new edition provides an excellent introduction to the work of Arnold Hauser. In his general introduction to The Social History of Art, Jonathan Harris asseses the importance of the work for contemporary art history and visual culture. In ad
606   $aArt and society
606   $aArt$xHistory
615  0$aArt and society.
615  0$aArt$xHistory.
676   $a709
700   $aHauser$b Arnold$f1892-1978.,$024736
801  0$bFlBoTFG
801  1$bFlBoTFG
906   $aBOOK
912   $a9910783844603321
996   $aThe social history of art$93797638
997   $aUNINA