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100   $a20180331d2004      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aPostsocialist cinema in post-Mao China $ethe cultural revolution after the Cultural Revolution /$fChris Berry
210  1$aNew York ;$aLondon :$cRoutledge,$d2004.
215   $a1 online resource (224 p.)
225 1 $aEast Asia : history, politics, sociology, culture
300   $aDescription based upon print version of record.
311   $a0-415-99893-X 
311   $a0-415-94786-3 
320   $aIncludes bibliographical references (p. 191-205) and index.
320   $aFilmography: p. (207-208).
327   $aCover; POSTSOCIALIST CINEMA IN POST-MAO CHINA: The Culture Revolution after the Cultural Revolution; Copyright; Contents; Acknowledgments; CHAPTER 1 INTRODUCTION: TOWARD A POSTSOCIALIST CINEMA?; CHAPTER 2 WRITING ON BLANK PAPER: PEDAGOGICAL CINEMA 1949-1976; CHAPTER 3 ENTERING FORBIDDEN ZONES AND EXPOSING WOUNDS: REWRITING SOCIALIST HISTORY; CHAPTER 4 POSTSOCIALISM AND THE DECLINE OF THE HERO; CHAPTER 5 A FAMILY AFFAIR: SEPARATION AND SUBJECTIVITY; CHAPTER 6 ENDING IT ALL: BITTER LOVE; CHAPTER 7 AFTERWORD: FOREIGNER WITHIN, FOREIGNER WITHOUT; Notes; Bibliography; FILMOGRAPHY; Appendix; Index
330   $aThis book argues that the fundamental shift in Chinese Cinema away from Socialism and towards Post-Socialism can be located earlier than the emergence of the ""Fifth Generation"" in the mid-eighties when it is usually assumed to have occured. By close analysis of films from the 1949-1976 Maoist era in comparison with 1976-81 films representing the Cultural Revolution, it demonstrates that the latter already breaks away from Socialism.
410  0$aEast Asia (New York, N.Y.)
606   $aMotion pictures$zChina$xHistory
606   $aMotion pictures$xPolitical aspects$zChina
615  0$aMotion pictures$xHistory.
615  0$aMotion pictures$xPolitical aspects
676   $a791.43/0951
700   $aBerry$b Chris.$01037387
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910783842103321
996   $aPostsocialist cinema in post-Mao China$93797616
997   $aUNINA