LEADER 01339nam a2200265 i 4500 001 991000032289707536 005 20020506120904.0 008 960508s1991 it ||| | ita 020 $a8885083552 035 $ab10640848-39ule_inst 035 $aEXGIL137906$9ExL 040 $aBiblioteca Interfacoltà$bita 100 1 $aSchulz Buschhaus, Ulrich$0184176 245 10$aScrittore e lettore nella società di massa :$bsociologia della letteratura e ricezione :$blo stato degli studi /$csaggi di Ulrich Schulz-Buschhaus ... [et al.] 260 $aTrieste :$bLINT,$c1991 300 $a589 p. ;$c24 cm. 500 $aAtti del Convegno tenuto a Trieste nel 1989. - 500 $aIn testa al front. : Università degli studi di Trieste, Dipartimento di italianistica e discipline dello spettacolo; Universitat fur bildungswissenschaften, Klagenfurt, Institut fur romanistik; Centro internazionale di studio per la letteratura di massa, C.I.L.M. 650 4$aLetteratura e società$ySec. 20.$xCongressi$y1989 907 $a.b10640848$b02-04-14$c28-06-02 912 $a991000032289707536 945 $aLE002 Con. 388$g1$iLE002-18633N$lle002$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i10730059$z28-06-02 996 $aScrittore e lettore nella società di massa$9916849 997 $aUNISALENTO 998 $ale002$b01-01-96$cm$da $e-$fita$git $h0$i1 LEADER 05125nam 2200841 a 450 001 9910783765403321 005 20230617042024.0 010 $a0-8147-4460-5 010 $a0-8147-7340-0 010 $a1-4294-1415-4 024 7 $a10.18574/nyu/9780814773406 035 $a(CKB)1000000000245294 035 $a(OCoLC)76838925 035 $a(CaPaEBR)ebrary10137150 035 $a(SSID)ssj0000193695 035 $a(PQKBManifestationID)11216136 035 $a(PQKBTitleCode)TC0000193695 035 $a(PQKBWorkID)10226687 035 $a(PQKB)10749335 035 $a(MiAaPQ)EBC865891 035 $a(MdBmJHUP)muse10422 035 $a(Au-PeEL)EBL865891 035 $a(CaPaEBR)ebr10137150 035 $a(OCoLC)780425940 035 $a(DE-B1597)547368 035 $a(DE-B1597)9780814773406 035 $a(EXLCZ)991000000000245294 100 $a20041007d2005 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aLoca motion$b[electronic resource] $ethe travels of Chicana and Latina popular culture /$fMichelle Habell-Palla?n 210 $aNew York $cNew York University$dc2005 215 $a1 online resource (321 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 0 $a0-8147-3662-9 311 0 $a0-8147-3663-7 320 $aIncludes bibliographical references (p. 263-286) and index. 327 $tFront matter --$tContents --$tAcknowledgments --$tIntroduction --$t1 From the Shadows of the Spanish Fantasy Heritage to a Transnational Imaginary --$t2 ?No Cultural Icon? Marisela Norte and Spoken Word? East L.A. Noir and the U.S./Mexico Border --$t3 The Politics of Representation: Queerness and the Transnational Family in Luis Alfaro?s Performance --$t4 Translated/Translating Woman: Comedienne/Solo Performer Marga Gomez, ?Sending All Those Puerto Ricans Back to Mexico,? and the Politics of a Sexualized Location --$t5 ?¿Soy Punkera, Y Que?? Sexuality, Translocality, and Punk in Los Angeles and Beyond --$t6 Bridge over Troubled Borders: The Transnational Appeal of Chicano Popular Music --$tEpilogue ?Call Us Americans, ?Cause We Are All from the Américas?: Latinos at Home in Canada --$tNotes --$tBibliography --$tIndex --$tAbout the Author 330 $a2006 Honorable Mention for MLA Prize in US Latina and Latino and Chicana and Chicano Literary and Cultural Studies In the summer of 1995, El Vez, the ?Mexican Elvis, ?along with his backup singers and band, The Lovely Elvettes and the Memphis Mariachis, served as master of ceremony for a ground-breaking show, ?Diva L.A.: A Salute to L.A.?s Latinas in the Tanda Style.? The performances were remarkable not only for the talent displayed, but for their blend of linguistic, musical, and cultural traditions. In Loca Motion, Michelle Habell-Pallán argues that performances like Diva L.A. play a vital role in shaping and understanding contemporary transnational social dynamics. Chicano/a and Latino/a popular culture, including spoken word, performance art, comedy, theater, and punk music aesthetics, is central to developing cultural forms and identities that reach across and beyond the Americas, from Mexico City to Vancouver to Berlin. Drawing on the lives and work of a diverse group of artists, Habell-Pallán explores new perspectives that defy both traditional forms of Latino cultural nationalism and the expectations of U.S. culture. The result is a sophisticated rethinking of identity politics and an invaluable lens from which to view the complex dynamics of race, class, gender, and sexuality. 606 $aAmerican drama$xHispanic American authors$xHistory and criticism 606 $aAmerican drama$xMexican American authors$xHistory and criticism 606 $aAmerican drama$xWomen authors$xHistory and criticism 606 $aHispanic American women$xIntellectual life 606 $aMexican American women$xIntellectual life 606 $aHispanic Americans in the performing arts 606 $aWomen in popular culture$zUnited States 606 $aPerforming arts$zUnited States 606 $aPerformance art$zUnited States 606 $aPopular culture$zUnited States 606 $aHispanic American theater 615 0$aAmerican drama$xHispanic American authors$xHistory and criticism. 615 0$aAmerican drama$xMexican American authors$xHistory and criticism. 615 0$aAmerican drama$xWomen authors$xHistory and criticism. 615 0$aHispanic American women$xIntellectual life. 615 0$aMexican American women$xIntellectual life. 615 0$aHispanic Americans in the performing arts. 615 0$aWomen in popular culture 615 0$aPerforming arts 615 0$aPerformance art 615 0$aPopular culture 615 0$aHispanic American theater. 676 $a791/.082/0973 700 $aHabell-Palla?n$b Michelle$01564866 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910783765403321 996 $aLoca motion$93859884 997 $aUNINA