LEADER 04364nam 22007694a 450 001 9910783758603321 005 20230912142906.0 010 $a1-282-86077-1 010 $a9786612860775 010 $a0-7735-7062-4 024 7 $a10.1515/9780773570627 035 $a(CKB)1000000000245020 035 $a(SSID)ssj0000284328 035 $a(PQKBManifestationID)11912582 035 $a(PQKBTitleCode)TC0000284328 035 $a(PQKBWorkID)10261387 035 $a(PQKB)10903255 035 $a(CaPaEBR)400177 035 $a(CaBNvSL)gtp00521456 035 $a(Au-PeEL)EBL3330508 035 $a(CaPaEBR)ebr10132689 035 $a(CaONFJC)MIL286077 035 $a(OCoLC)929120581 035 $a(VaAlCD)20.500.12592/28n9jk 035 $a(schport)gibson_crkn/2009-12-01/1/400177 035 $a(MiAaPQ)EBC3330508 035 $a(DE-B1597)657832 035 $a(DE-B1597)9780773570627 035 $a(MiAaPQ)EBC3243518 035 $a(EXLCZ)991000000000245020 100 $a20040907d2002 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aSongs for fat people$b[electronic resource] $eaffect, emotion, and celebrity in the Russian popular song, 1900-1955 /$fDavid MacFadyen 210 $aMontreal ;$aIthaca $cMcGill-Queen's University Press$dc2002 215 $avii, 354 p. $cports 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-7735-2441-X 320 $aIncludes bibliographical references, filmography, discography and index. 327 $tFront Matter -- $tContents -- $tSongs for Fat People -- $tIntroduction: A Quick Comment Before we Begin in Earnest -- $tIn Practice: Eleven Famous Performers, Loved by Tens of Millions -- $tGrace Under Friendly Fire: The Gypsy Romances of Izabella Iur?Eva and Tamara Tsereteli -- $tThe Romance in Exile: Iurii Morfessi and Petr Leshchenko -- $tInternal(Ized) Exile: The Mystery of Vadim Kozin -- $tExit Stage Left: Aleksandr Vertinskii and Cabaret -- $tAffectation and Buffoonery: Leonid Utesov and Odessa Jazz -- $tKlavdiia Shul?zhenko: ?Let?s Have a Smoke, Comrade!? -- $tMark Bernes: Hushed Songs from the Silver Screen -- $tPrison and Prestige: The Folk Songs of Lidiia Ruslanova and Liudmila Zykina -- $tIn Theory: Soviet Entertainment Seen From Today?s Perspectives -- $tTime to Speculate and Take Stock: 1 January 2000 in Russian Light Entertainment -- $tConclusion and Unsolicited Encore -- $tNotes -- $tAudio-Visual Sources -- $tIndex 330 $aThe author traces the careers of early singers such as Izabella Iur'eva, Tamara Tsereteli, and others who struggled to continue to perform as they fled the dangers of a Soviet society that had little patience for café-culture. MacFadyen follows their trail through Eastern Europe to Paris and London, then across to New York and San Francisco, and back into Russia through the smoky, émigré bars of colourful Chinese towns. He pays particular attention to the notion of "mass" songs inside the Soviet Union and explores the relationship of official and public approval. By looking at how these performers used success at home and abroad to become recording stars, film stars, and eventually television personalities, MacFadyen avoids the conventional dichotomies about the East Block to show the complexity of Soviet culture. 606 $aPopular music$zSoviet Union$xHistory and criticism 606 $aPopular music$xSocial aspects$zSoviet Union 606 $aSingers$zSoviet Union$vBiography 606 $aMusique populaire$zURSS$xHistoire et critique 606 $aMusique populaire$xAspect social$zURSS 606 $aChanteurs$zURSS$vBiographies 606 $aMusique populaire$zRussie$y20e sie?cle$xHistoire et critique 615 0$aPopular music$xHistory and criticism. 615 0$aPopular music$xSocial aspects 615 0$aSingers 615 6$aMusique populaire$xHistoire et critique. 615 6$aMusique populaire$xAspect social 615 6$aChanteurs 615 6$aMusique populaire$xHistoire et critique. 676 $a782.421640947 700 $aMacFadyen$b David$f1964-$01485869 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910783758603321 996 $aSongs for fat people$93736654 997 $aUNINA