LEADER 03209nam 2200661 a 450 001 9910783757903321 005 20231208233549.0 010 $a1-282-86020-8 010 $a9786612860201 010 $a0-7735-6991-X 024 7 $a10.1515/9780773569911 035 $a(CKB)1000000000244999 035 $a(OCoLC)756606886 035 $a(CaPaEBR)ebrary10119920 035 $a(SSID)ssj0000283423 035 $a(PQKBManifestationID)11236612 035 $a(PQKBTitleCode)TC0000283423 035 $a(PQKBWorkID)10247967 035 $a(PQKB)11065133 035 $a(CaPaEBR)400048 035 $a(CaBNvSL)gtp00521333 035 $a(Au-PeEL)EBL3330509 035 $a(CaPaEBR)ebr10132690 035 $a(CaONFJC)MIL286020 035 $a(OCoLC)929120582 035 $a(VaAlCD)20.500.12592/32m6wd 035 $a(schport)gibson_crkn/2009-12-01/1/400048 035 $a(MiAaPQ)EBC3330509 035 $a(DE-B1597)656990 035 $a(DE-B1597)9780773569911 035 $a(MiAaPQ)EBC3243553 035 $a(EXLCZ)991000000000244999 100 $a20040519d2002 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aReading Nelligan$b[electronic resource] /$fEmile J. Talbot 210 1$aMontreal ;$aIthaca :$cMcGill-Queen's University Press,$dc2002. 215 $a1 online resource (232 pages) 300 $aIncludes index. 311 $a0-7735-2479-7 311 $a0-7735-2318-9 320 $aIncludes bibliographical references (pages [205]-214) and index. 327 $tFront Matter --$tContents --$tBibliographical Note --$tIntroduction --$tTo Be a Poet --$tSpirituality and Sensuality --$tThe Poetics of Failure --$tThe Poetics of Melancholy and Nostalgia --$tConclusion: Nelligan and Decadence --$tNotes --$tWorks Cited --$tIndex 330 $aÉmile Nelligan (1879-1941) wrote all of his poetry as an adolescent, before spending four decades in a psychiatric asylum. Considering all of Nelligan's work and using a largely textual approach, Émile Talbot points out the Canadian roots of Nelligan's originality. He argues that these are discernable despite Nelligan's use of the discourse of nineteenth-century continental French poetry, particularly that of the Parnassians and the Decadents. Talbot's textual analysis is integrated with a consideration of the social, cultural, artistic, and religious climate of both late nineteenth-century Montreal and the European literary culture to which Nelligan was responding. Talbot considers such pertinent factors as the spirituality of guilt, the role of the mother, and a societal context that rejected both the revelation of the self and the autonomy of art. In doing so he sheds new light on Nelligan's use of European poetic language to fashion a poetry marked by his own culture. 606 $aPoetry$xHistory and criticism 615 0$aPoetry$xHistory and criticism 676 $a841/.912 700 $aTalbot$b Emile$01506429 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910783757903321 996 $aReading Nelligan$93736647 997 $aUNINA