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100   $a20021025h20032003  uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 00$aTypes of interpretation in the aesthetic disciplines /$fedited by Staffan Carlshamre and Anders Pettersson
210  1$aMontreal :$cMcGill-Queen's University Press,$d2003.
210  4$aŠ2003
215   $a1 online resource (184 pages) $cillustrations
300   $aDescription based upon print version of record.
311 0 $a0-7735-2571-8 
311 0 $a0-7735-2528-9 
320   $aIncludes bibliographical references and index.
327   $aPages:1 to 25; Pages:26 to 50; Pages:51 to 75; Pages:76 to 100; Pages:101 to 125; Pages:126 to 150; Pages:151 to 175; Pages:176 to 193
330   $aFive Swedish scholars and theorists from different disciplines - literary studies, philosophy, and art history - discuss the multiplicity of principles of interpretation and provide a descriptive analysis of the concept of interpretation itself that clarifies the main features of the rationale underlying the interpretation of literature and the arts. Their discussion provides a much-needed bridge between analytical aesthetics and theoretical discussion within the individual aesthetic disciplines. The introduction and concluding remarks by the editors provide both a frame for discussion of the issues and a historical perspective on the debates about interpretation.
606   $aCriticism
606   $aInterpretation (Philosophy)
615  0$aCriticism.
615  0$aInterpretation (Philosophy)
676   $a700/.1
700   $aCarlshamre$b Staffan, $4aut$4http://id.loc.gov/vocabulary/relators/aut$01506405
701   $aCarlshamre$b Staffan$01506405
701   $aPettersson$b Anders$f1946-$01506406
801  0$bMiAaPQ
801  1$bMiAaPQ
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906   $aBOOK
912   $a9910783755603321
996   $aTypes of interpretation in the aesthetic disciplines$93736624
997   $aUNINA