LEADER 03605nam 22006494a 450 001 9910777693603321 005 20230617010531.0 010 $a0-292-79749-4 024 7 $a10.7560/702141 035 $a(CKB)1000000000453899 035 $a(OCoLC)646761253 035 $a(CaPaEBR)ebrary10245794 035 $a(SSID)ssj0000184308 035 $a(PQKBManifestationID)11169959 035 $a(PQKBTitleCode)TC0000184308 035 $a(PQKBWorkID)10201242 035 $a(PQKB)11188405 035 $a(MiAaPQ)EBC3443307 035 $a(OCoLC)60570087 035 $a(MdBmJHUP)muse2066 035 $a(Au-PeEL)EBL3443307 035 $a(CaPaEBR)ebr10245794 035 $a(DE-B1597)587119 035 $a(DE-B1597)9780292797499 035 $a(EXLCZ)991000000000453899 100 $a20030529d2004 ub 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aIsraeli and Palestinian postcards$b[electronic resource] $epresentations of national self /$fTim Jon Semmerling 205 $a1st ed. 210 $aAustin $cUniversity of Texas Press$d2004 215 $a1 online resource (256 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-292-70214-0 327 $tFrontmatter -- $tContents -- $tFigures -- $tAcknowledgments -- $tIntroduction The Presentation of National Self -- $tOne Palphot?s Israeli Self -- $tTwo The Palestinian Self in Artwork Postcards -- $tThree The Janus-Faced Palestinian Self -- $tFour The Ecological Palestinian Self -- $tFive The Orientalized Area Self -- $tSix The Heritage-Enriched Palestinian Self -- $tConclusion Tom Sawyer, Visual Methodologist, and the Presentation of National Self -- $tNotes -- $tBibliography -- $tIndex 330 $aSearing images of suicide bombings and retaliatory strikes now define the Israeli-Palestinian conflict for many Westerners, but television and print media are not the only visual realms in which the conflict is playing out. Even tourist postcards and greeting cards have been pressed into service as vehicles through which Israelis and Palestinians present competing visions of national selfhood and conflicting claims to their common homeland. In this book, Tim Jon Semmerling explores how Israelis and Palestinians have recently used postcards and greeting cards to present images of the national self, to build national awareness and reinforce nationalist ideologies, and to gain international acceptance. He discusses and displays the works of numerous postcard/greeting card manufacturers, artists, and photographers and identifies the symbolic choices in their postcards, how the choices are arranged into messages, what the messages convey and to whom, and who benefits and loses in these presentations of national self. Semmerling convincingly demonstrates that, far from being ephemeral, Israeli and Palestinian postcards constitute an important arena of struggle over visual signs and the power to produce reality. 606 $aPostcards$zIsrael 606 $aPostcards$zPalestine 606 $aSelf-presentation$zIsrael 606 $aSelf-presentation$zPalestine 615 0$aPostcards 615 0$aPostcards 615 0$aSelf-presentation 615 0$aSelf-presentation 676 $a956.9405/022/2 700 $aSemmerling$b Tim Jon$f1961-$01518245 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910777693603321 996 $aIsraeli and Palestinian postcards$93765401 997 $aUNINA 999 $p$45.00$u12/31/2019$5Art LEADER 03350nam 22006974a 450 001 9910783729703321 005 20200520144314.0 010 $a1-134-28235-4 010 $a1-280-41407-3 010 $a9786610414079 010 $a0-203-56712-9 035 $a(CKB)1000000000247841 035 $a(EBL)258991 035 $a(OCoLC)475975156 035 $a(SSID)ssj0000104930 035 $a(PQKBManifestationID)11127867 035 $a(PQKBTitleCode)TC0000104930 035 $a(PQKBWorkID)10085185 035 $a(PQKB)11669712 035 $a(MiAaPQ)EBC258991 035 $a(Au-PeEL)EBL258991 035 $a(CaPaEBR)ebr10163571 035 $a(CaONFJC)MIL41407 035 $a(OCoLC)437166481 035 $a(PPN)232277885 035 $a(EXLCZ)991000000000247841 100 $a20040903d2005 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aApproximate bodies$b[electronic resource] $egender and power in early modern drama and anatomy /$fMaurizio Calbi 210 $aLondon ;$aNew York $cRoutledge$d2005 215 $a1 online resource (193 p.) 300 $aDescription based upon print version of record. 311 $a0-415-34561-8 311 $a0-415-34560-X 320 $aIncludes bibliographical references (p. [153]-164) and index. 327 $aBook Cover; Half-Title; Title; Copyright; Dedication; Contents; List of illustrations; Acknowledgements; Note on texts; Introduction; 1 'That body of hers': The secret, the specular, the spectacular in The Duchess of Malfi and anatomical discourses; 2 'Behind the back of life': Uncanny bodies and identities in The changeling; 3 'A meer choas': Moles, abject bodies and the economy of reproductive discourses; 4 'Strange flesh' and 'unshap't bodies': Monstrosity, hyperbolic masculinity and 'racial' difference; 5 'Un-pleasurable' detours: Figurations of desire and the body erotic; Notes 327 $aBibliographyIndex 330 $aThe early modern period was an age of anatomical exploration and revelation, with new discoveries capturing the imagination not only of scientists but also of playwrights and poets. Approximate Bodies examines, in fascinating detail, the changing representation of the body in early modern drama and in the period's anatomical and gynaecological treatises.Maurizio Calbi focuses on the unstable representation of both masculinity and femininity in Renaissance texts such as The Duchess of Malfi, The Changeling and a variety of Shakespeare plays. Drawing on theor 606 $aEnglish drama$yEarly modern and Elizabethan, 1500-1600$xHistory and criticism 606 $aHuman body in literature 606 $aEnglish drama$y17th century$xHistory and criticism 606 $aPower (Social sciences) in literature 606 $aSex role in literature 615 0$aEnglish drama$xHistory and criticism. 615 0$aHuman body in literature. 615 0$aEnglish drama$xHistory and criticism. 615 0$aPower (Social sciences) in literature. 615 0$aSex role in literature. 676 $a822/.3093561 700 $aCalbi$b Maurizio$0591549 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910783729703321 996 $aApproximate bodies$91004970 997 $aUNINA