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135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 14$aThe composer as intellectual$b[electronic resource] $emusic and ideology in France 1914-1940 /$fJane F. Fulcher
210   $aNew York $cOxford University Press$d2005
215   $a1 online resource (488 p.)
300   $aDescription based upon print version of record.
311   $a0-19-534296-8 
311   $a0-19-517473-9 
320   $aIncludes bibliographical references (p. 427-462) and indexes.
327   $aContents; Introduction; 1: Wartime Nationalism, Classicism, and Their Limits; 2: The National or Universal in the Twenties; 3: The "Defense" of French Culture in the Thirties; 4: The Return to Spirit; Conclusion; Notes; Bibliography; Index
330   $aAs a follow-up to her book exploring musical and political cultures in France from the Dreyfus Affair to the First World War, the author here applies the same approach to the years from 1914-1940, arguing that French musical meanings are best explained not in terms of artistic movements, but rather in terms of the political culture.
606   $aMusic$zFrance$y20th century$xHistory and criticism
606   $aComposers$zFrance
606   $aMusic$xSocial aspects$zFrance
606   $aMusic$xPolitical aspects$zFrance
615  0$aMusic$xHistory and criticism.
615  0$aComposers
615  0$aMusic$xSocial aspects
615  0$aMusic$xPolitical aspects
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700   $aFulcher$b Jane F$01297949
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996   $aThe composer as intellectual$93860720
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