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200 04$aThe expert versus the object$b[electronic resource] $ejudging fakes and false attributions in the visual arts /$fedited by Ronald D. Spencer ; [foreward by Eugene Victor Thaw]
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320   $aIncludes bibliographical references and index.
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330   $aThe authenticity of visual art has always commanded the attention of experts, dealers, collectors, and the art-minded public. Is it ""real"" or ""original"" is a way of asking what am I buying? What do I own? What am I looking at? And today more sophisticated questions are being asked: How is authenticity determined and what weight does this determination have in court? This book of essays proposes to answer those questions. Three lines of inquiry are basic to determining authenticity: a connoisseur's evaluation, historical documentation or provenance, and scientific testing. A connoisseur is
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