LEADER 02525nam 22006134a 450 001 9910783674403321 005 20230617040618.0 010 $a0-19-771293-2 010 $a0-19-988196-0 010 $a1-280-53215-7 010 $a0-19-534903-2 010 $a1-4237-2006-7 035 $a(CKB)1000000000245577 035 $a(EBL)439057 035 $a(OCoLC)61329794 035 $a(SSID)ssj0000152154 035 $a(PQKBManifestationID)11910638 035 $a(PQKBTitleCode)TC0000152154 035 $a(PQKBWorkID)10339179 035 $a(PQKB)10287718 035 $a(Au-PeEL)EBL439057 035 $a(CaPaEBR)ebr10103609 035 $a(CaONFJC)MIL53215 035 $a(MiAaPQ)EBC439057 035 $a(EXLCZ)991000000000245577 100 $a20031023d2004 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 04$aThe expert versus the object$b[electronic resource] $ejudging fakes and false attributions in the visual arts /$fedited by Ronald D. Spencer ; [foreward by Eugene Victor Thaw] 210 $aNew York $cOxford University Press$d2004 215 $a1 online resource (260 p.) 300 $aDescription based upon print version of record. 311 $a0-19-514735-9 320 $aIncludes bibliographical references and index. 327 $aContents; Foreword; Introduction; Part I: Authentication and Connoisseurship; Part II: Authentication and the Law; Index 330 $aThe authenticity of visual art has always commanded the attention of experts, dealers, collectors, and the art-minded public. Is it ""real"" or ""original"" is a way of asking what am I buying? What do I own? What am I looking at? And today more sophisticated questions are being asked: How is authenticity determined and what weight does this determination have in court? This book of essays proposes to answer those questions. Three lines of inquiry are basic to determining authenticity: a connoisseur's evaluation, historical documentation or provenance, and scientific testing. A connoisseur is 606 $aArt$xForgeries 606 $aArt$xExpertising 606 $aLaw and art 615 0$aArt$xForgeries. 615 0$aArt$xExpertising. 615 0$aLaw and art. 676 $a702/.8/7 701 $aSpencer$b Ronald D$01580081 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910783674403321 996 $aThe expert versus the object$93860692 997 $aUNINA