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200 1 $aAldo Eluisi$edagli Arditi del popolo alle Fosse Ardeatine$fLorenzo Di Mitri
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200 14$aThe idolatrous eye$b[electronic resource] $eiconoclasm and theater in early-modern England /$fMichael O'Connell
210   $aNew York $cOxford University Press$d2000
215   $a1 online resource (209 p.)
300   $aDescription based upon print version of record.
311   $a0-19-513205-X 
320   $aIncludes bibliographical references (p. 177-187) and index.
327   $aContents; Introduction; ONE: Theater and the Devil's Teats; TWO: Word against Image: The Context of Iconoclasm; THREE: God's Body and Incarnational Drama; FOUR: The Textualization of God's Body; FIVE: ""Let the Audience Look to Their Eyes"": Jonson and Shakespeare; Notes; Bibliography; Index
330   $aMichael O'Connell shows that Reformation culture was preoccupied with idolatry and that the theatre was attacked as idolatrous. This anti-theatricalism targeted the traditional mystery plays. The text aims to explain what this meant for the secular theatre that followed.
606   $aTheater$zEngland$xHistory$y16th century
606   $aTheater$zEngland$xHistory$y17th century
606   $aTheater$xReligious aspects
606   $aBible plays$xHistory and criticism
606   $aEnglish drama$yEarly modern and Elizabethan, 1500-1600$xHistory and criticism
606   $aEuropean drama$yRenaissance, 1450-1600$xHistory and criticism
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615  0$aTheater$xHistory
615  0$aTheater$xReligious aspects.
615  0$aBible plays$xHistory and criticism.
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615  0$aEuropean drama$xHistory and criticism.
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