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100   $a20050308d2006      ub             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aBeyond the multiplex$b[electronic resource] $ecinema, new technologies, and the home /$fBarbara Klinger
205   $aReprint 2019
210   $aBerkeley $cUniversity of California Press$dc2006
215   $a1 online resource (323 p.)
300   $aDescription based upon print version of record.
311   $a0-520-22315-2 
311   $a0-520-24586-5 
320   $aIncludes bibliographical references and index.
327   $aThe new media aristocrats -- The contemporary cinephile -- Remembrance of films past -- Once is not enough -- To infinity and beyond.
330   $aSince the mid-eighties, more audiences have been watching Hollywood movies at home than at movie theaters, yet little is known about just how viewers experience film outside of the multiplex. This is the first full-length study of how contemporary entertainment technologies and media?from cable television and VHS to DVD and the Internet?shape our encounters with the movies and affect the aesthetic, cultural, and ideological definitions of cinema. Barbara Klinger explores topics such as home theater, film collecting, classic Hollywood movie reruns, repeat viewings, and Internet film parodies, providing a multifaceted view of the presentation and reception of films in U.S. households. Balancing industry history with theoretical and cultural analysis, she finds that today cinema's powerful social presence cannot be fully grasped without considering its prolific recycling in post-theatrical venues?especially the home.
606   $aHome theaters
606   $aMotion pictures and television
606   $aTelevision$xSocial aspects
606   $aTelevision$xTechnological innovations
610   $aamerica.
610   $acable television.
610   $acinema aesthetics.
610   $acinema historians.
610   $acinemaphiles.
610   $acontemporary film.
610   $acultural analysis.
610   $advd.
610   $aentertainment media.
610   $aentertainment technology.
610   $aethnography.
610   $afilm industry.
610   $afilm parodies.
610   $afilm reception.
610   $afilm studies.
610   $ahollywood.
610   $ahome theaters.
610   $ahome viewers.
610   $aideological perspective.
610   $ainternet films.
610   $ainternet media.
610   $amedia studies.
610   $amovie theaters.
610   $amovies and culture.
610   $anonfiction.
610   $apost theatrical venues.
610   $asocial presence.
610   $atheoretical.
610   $aus households.
610   $avhs.
615  0$aHome theaters.
615  0$aMotion pictures and television.
615  0$aTelevision$xSocial aspects.
615  0$aTelevision$xTechnological innovations.
676   $a302.23/45
700   $aKlinger$b Barbara$f1951-$0792082
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910783669703321
996   $aBeyond the Multiplex$91771105
997   $aUNINA