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181   $ctxt
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200 10$aPrimitivist modernism$b[electronic resource] $eblack culture and the origins of transatlantic modernism /$fSieglinde Lemke
210   $aNew York $cOxford University Press$d1998
215   $a1 online resource (192 p.)
225 1 $aW.E.B. DuBois Institute
300   $aDescription based upon print version of record.
311   $a0-19-510403-X 
320   $aIncludes bibliographical references and index.
327   $aContents; Introduction: Was Modernism Passing?; 1 Studies in Black and White; 2 Picasso's ""Dusty Manikins""; 3 Whiteman's Jazz; 4 The Black Body; 5 The Black Book; Conclusion: Modernism Reconsidered; Notes; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Z
330   $aThis book explores a rich cultural hybridity at the heart of transatlantic modernism. Focusing on cubism, jazz, and Josephine Baker's performance in the Danse Sauvage, Sieglinde Lemke uncovers a crucial history of white and black intercultural exchange, a phenomenon until now greatly obscured by a cloak of whiteness. Considering artists and critics such as Picasso, Alain Locke, Nancy Cunard, and Paul Whiteman, in addition to Baker, Lemke documents a potent cultural dialectic in which black artistic expression fertilized white modernism, just as white art forms helped shape the black modernism 
410  0$aW.E.B. Du Bois Institute (Series)
606   $aModernism (Art)$zEurope
606   $aArts, European
606   $aModernism (Art)$zUnited States
606   $aArts, American
606   $aArts, Black$xInfluence
606   $aAfrican American arts$xInfluence
615  0$aModernism (Art)
615  0$aArts, European.
615  0$aModernism (Art)
615  0$aArts, American.
615  0$aArts, Black$xInfluence.
615  0$aAfrican American arts$xInfluence.
676   $a700/.4112/08996
700   $aLemke$b Sieglinde$0989543
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801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910783591503321
996   $aPrimitivist modernism$93769501
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