LEADER 02827nam 2200565zu 450 001 9910495913303321 005 20210807000341.0 010 $a2-8218-2656-7 024 7 $a10.4000/books.ifea.380 035 $a(CKB)4340000000013406 035 $a(SSID)ssj0001542076 035 $a(PQKBManifestationID)11874017 035 $a(PQKBTitleCode)TC0001542076 035 $a(PQKBWorkID)11536958 035 $a(PQKB)11285908 035 $a(WaSeSS)IndRDA00045687 035 $a(FrMaCLE)OB-ifea-380 035 $a(PPN)182833763 035 $a(EXLCZ)994340000000013406 100 $a20160829d2010 uy 101 0 $aspa 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aSociedad y gobierno episcopal : las visitas del obispo Manuel de Mollinedo y Angulo 210 31$a[Place of publication not identified]$cInstitut français d'études andines$d2010 215 $a1 online resource (248 pages) 225 1 $aTravaux de l'IFE?A 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a9972-623-60-2 330 $aA lo largo de su memorable gobierno, entre 1673 y 1699, el obispo Manuel de Mollinedo y Angulo recorrió varias veces la diócesis del Cuzco, con el propósito de imponer disciplina dentro del cuerpo eclesiástico y a la vez consolidar su autoridad frente a los poderes locales. Este libro recoge los expendientes de esas visitas que, sin duda, constituyen fuentes esenciales no solo para el estudio de la obra del prelado, sino de la sociedad y de la economía surandinas en su conjunto. De ellas se desprende un complejo cuadro social, en el que las doctrinas tuvieron un papel ciertamente fundamental como centros de irradiación de una ideología cohesiva. Por ello las visitas de este singular obispo, célebre como cortesano, político y mecenas de las artes, revelan aspectos cruciales de la historia eclesiástica y cultural de los Andes del Sur durante el último cuarto del siglo XVII. 410 0$aTravaux de l'Institut franc?ais d'e?tudes andines. 606 $aRegions & Countries - Americas$2HILCC 606 $aHistory & Archaeology$2HILCC 606 $aLatin America$2HILCC 607 $aCuzco (Peru)$xSocial life and customs$y17th century$vSources 607 $aCuzco (Peru)$xPolitics and government$y17th century$vSources 607 $aCuzco (Peru)$x17th century$vSources 615 7$aRegions & Countries - Americas 615 7$aHistory & Archaeology 615 7$aLatin America 676 $a985/.37 700 $aGuibovich Pérez$b Pedro$01210406 702 $aWuffarden$b Luis Eduardo 801 0$bPQKB 906 $aBOOK 912 $a9910495913303321 996 $aSociedad y gobierno episcopal : las visitas del obispo Manuel de Mollinedo y Angulo$92864417 997 $aUNINA LEADER 03967nam 22006494a 450 001 9910783402203321 005 20230912152144.0 010 $a1-282-86049-6 010 $a9786612860492 010 $a0-7735-7024-1 024 7 $a10.1515/9780773570245 035 $a(CKB)1000000000244892 035 $a(SSID)ssj0000279215 035 $a(PQKBManifestationID)11211552 035 $a(PQKBTitleCode)TC0000279215 035 $a(PQKBWorkID)10261146 035 $a(PQKB)10302336 035 $a(CaPaEBR)400116 035 $a(CaBNvSL)gtp00521396 035 $a(Au-PeEL)EBL3330733 035 $a(CaPaEBR)ebr10132916 035 $a(CaONFJC)MIL286049 035 $a(OCoLC)929120938 035 $a(VaAlCD)20.500.12592/drwn53 035 $a(schport)gibson_crkn/2009-12-01/1/400116 035 $a(MiAaPQ)EBC3330733 035 $a(DE-B1597)655772 035 $a(DE-B1597)9780773570245 035 $a(MiAaPQ)EBC3243544 035 $a(EXLCZ)991000000000244892 100 $a20030508d2002 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aEstrada?!$b[electronic resource] $egrand narratives and the philosophy of the Russian popular song since Perestroika /$fDavid MacFadyen 210 $aMontreal ;$aIthaca $cMcGill-Queen's University Press$dc2002 215 $a254 p. $cill 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-7735-2371-5 320 $aIncludes audio-visual sources (p. [202]-209), bibliographical references, and index. 327 $tFront Matter -- $tContents -- $tAcknowledgments -- $tIntroduction: What is this Book About? -- $tFour Predicaments -- $tThe Decline of a Soviet Repertorie -- $tThe Absence of Ideology -- $tPerformers' Untutored Upbringing -- $tDirectorial Work on the Stage and on the Road -- $tEvidence of Two Solutions -- $tAudio: The Sound of Music and Mutation -- $tVideo: Estrada on Film Since Perestroika -- $tRussian Popular Culture After 1982: The Big Picture -- $t?Why Am I Singing Now?? Grand Narratives and Their Hard-Working Survivors -- $tConclusion: Only the Sentimental and Industrious Can Endure -- $tAppendices -- $tBiographies -- $tAudio-Visual Sources -- $tNotes -- $tIndex 330 $aIn Estrada?!, the second volume of a three-part series on Russian popular song, David MacFadyen extends his overview of Russian culture and society into the post-Soviet period. Having dispelled several myths surrounding Soviet popular entertainment - known as "estrada" or the "small stage" - in Red Stars, MacFadyen shifts his attention to a newer musical tradition that has emerged from the simultaneous disappearance of Soviet ideology and the loud influx of western music. The author shows how performance, popularity, and politics have all changed rapidly in Russia following the fall of communism. He highlights the troubled state of Soviet music journalism in the eighties, the deteriorating standards of staging, and the problems of developing a "proper" post-Soviet repertoire given the weakened relevance of songs as propaganda and the tenuous value of an old-style "sentimental education" that performers hoped to offer audiences. MacFadyen shows that for Russia's most famous performers today singing is still a responsibility of both private and public relevance. Even in post-Soviet Europe, song remains the most profoundly consequential of art forms. 606 $aPopular music$zSoviet Union$y1981-1990$xHistory and criticism 606 $aPopular music$zRussia (Federation)$y1991-2000$xHistory and criticism 615 0$aPopular music$xHistory and criticism. 615 0$aPopular music$xHistory and criticism. 676 $a782.42164/0947/0904 700 $aMacFadyen$b David$f1964-$01485869 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910783402203321 996 $aEstrada?$93763366 997 $aUNINA