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101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 00$aBeyond structural listening?$b[electronic resource] $epostmodern modes of hearing /$fedited by Andrew Dell'Antonio
210   $aBerkeley $cUniversity of California Press$dc2004
215   $a1 online resource (346 p.)
300   $aDescription based upon print version of record.
311   $a0-520-23757-9 
311   $a0-520-23760-9 
320   $aIncludes bibliographical references (p. 303-317) and index.
327   $tIntroduction : beyond structural listening? /$rAndrew Dell'Antonio --$tThe disciplined subject of music analysis /$rFred Everett Maus --$tMusical virtues /$rMitchell Morris --$tThe chosen one's choice /$rTamara Levitz --$tBeethoven antihero : sex, violence, and the aesthetics of failure, or, Listening to the Ninth symphony as postmodern sublime /$rRobert Fink --$tPassion ; Mirrors /$rPaul Attinello --$tUncertainty, disorientation, and loss as responses to musical structure /$rJoseph Dubiel --$tCollective listening : postmodern critical processes and MTV /$rAndrew Dell'Antonio --$tOne bar in eight : Debussy and the death of description /$rElisabeth LeGuin --$tThe return of the aesthetic : music formalism and its place in political critique /$rMartin Scherzinger --$tAfterword : toward the next paradigm of musical scholarship /$rRose Rosengard Subotnik.
330   $aIn a highly influential essay, Rose Rosengard Subotnik critiques "structural listening" as an attempt to situate musical meaning solely within the unfolding of the musical structure itself. The authors of this volume, prominent young music historians and theorists writing on repertories ranging from Beethoven to MTV, take up Subotnik's challenge in what is likely to be one of musical scholarship's intellectual touchstones for many years to come. Original, innovative, and sophisticated, their essays explore not only the implications of the "structural listening" model but also the alternative listening strategies that have developed in specific communities, often in response to twentieth-century Western music.
606   $aMusical criticism
606   $aMusical analysis
606   $aMusic$xPhilosophy and aesthetics
606   $aMusic$xSocial aspects
606   $aPostmodernism
610   $a20th century.
610   $aanthology.
610   $abeauty.
610   $abeethoven.
610   $acollection of essays.
610   $alistening strategies.
610   $alistening.
610   $amodes of listening.
610   $amtv.
610   $amusic historians.
610   $amusic scholars.
610   $amusic students.
610   $amusic textbooks.
610   $amusic theorists.
610   $amusic theory.
610   $amusical communities.
610   $amusical meaning.
610   $amusical scholarship.
610   $amusical structure.
610   $anonfiction essays.
610   $anonfiction.
610   $apostmodern modes of hearing.
610   $apostmodern theory.
610   $astructural hearing.
610   $atheoretical perspective.
610   $awestern music.
615  0$aMusical criticism.
615  0$aMusical analysis.
615  0$aMusic$xPhilosophy and aesthetics.
615  0$aMusic$xSocial aspects.
615  0$aPostmodernism.
676   $a781.1/7
701   $aDell'Antonio$b Andrew$01484897
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910783387903321
996   $aBeyond structural listening$93703734
997   $aUNINA