LEADER 01102cam0-2200337---450- 001 990004037530403321 005 20131021155237.0 010 $a88-7763-063-9 035 $a000403753 035 $aFED01000403753 035 $a(Aleph)000403753FED01 035 $a000403753 100 $a19990604d1994----km-y0itay50------ba 101 0 $aita 102 $aIT 105 $a--------001yy 200 1 $aAscesa e decadenza del romanzo moderno$eteoria e storia dei generi letterari$fa cura di Giorgio Bàrberi Squarotti$fsaggi di G. Bàrberi Squarotti, C. Peirone ... [et al.] 210 $aTorino$cTirrenia stampatori$d1994 215 $a165 p.$d24 cm 225 1 $a<>avventura letteraria 610 0 $aRomanzi italiani$aSec. 19.-20. 676 $a853.709 702 1$aBárberi Squaròtti,$bGiorgio$f<1929- > 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990004037530403321 952 $a853.709 BAR 1$bBibl.20276$fFLFBC 952 $a853.709 BAR 1BIS$bDip.f.m.7360$fFLFBC 959 $aFLFBC 996 $aAscesa e decadenza del romanzo moderno$9471364 997 $aUNINA LEADER 02563nam 2200601Ia 450 001 9910783372303321 005 20230310234356.0 010 $a0-19-028126-X 010 $a1-4237-3805-5 010 $a0-19-802051-1 010 $a1-280-43917-3 010 $a1-60129-578-2 035 $a(CKB)1000000000028487 035 $a(EBL)253386 035 $a(OCoLC)437160811 035 $a(SSID)ssj0000128186 035 $a(PQKBManifestationID)11152357 035 $a(PQKBTitleCode)TC0000128186 035 $a(PQKBWorkID)10064022 035 $a(PQKB)11412068 035 $a(MiAaPQ)EBC253386 035 $a(Au-PeEL)EBL253386 035 $a(CaPaEBR)ebr10087160 035 $a(CaONFJC)MIL43917 035 $a(EXLCZ)991000000000028487 100 $a19830811d1984 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aConcepts in film theory /$fDudley Andrew 210 1$aNew York :$cOxford University Press,$d1984. 215 $a1 online resource (254 pages) 300 $aDescription based upon print version of record. 311 0 $a0-19-503394-9 311 0 $a0-19-503428-7 320 $aIncludes bibliography: p. 212-229 and index. 327 $aContents; 1 The State of Film Theory; 2 Perception; 3 Representation; 4 Signification; 5 Narrative Structure; 6 Adaptation; 7 Valuation (of Genres and Auteurs); 8 Identification; 9 Figuration; 10 Interpretation; Notes; Appendix: Classified Bibliography; Index 330 $aA remarkable continuation of Dudley Andrew's classic, The Major Film Theories, this work focuses on the key concepts in film study: perception, representation, signification, narrative structure, adaptation, evaluation, identification, figuration, and interpretation. Beginning with a lucid introductory chapter on the current state of film theory, Andrew goes on to build an overall view of film, presenting his own ideas on each concept, and giving a sense of the interdependence of these concepts. By providing lively explanations of theories that involve perceptual psychology and structuralism, 606 $aMotion pictures$xPhilosophy 606 $aCinematography 615 0$aMotion pictures$xPhilosophy. 615 0$aCinematography. 676 $a791.43/01 700 $aAndrew$b Dudley$f1945-$0532928 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910783372303321 996 $aConcepts in Film Theory$91732089 997 $aUNINA