LEADER 01779nam 2200373 n 450 001 996392504003316 005 20200824121744.0 035 $a(CKB)4940000000114288 035 $a(EEBO)2240929435 035 $a(UnM)ocm99892565e 035 $a(UnM)99892565 035 $a(EXLCZ)994940000000114288 100 $a19960510d1615 uy 101 0 $afre 135 $aurbn||||a|bb| 200 10$aDeclaration du Roy, sur le mouvement, & la prise des armes d'aucuns de ses subjects de la religion pretendue reforme?e$b[electronic resource] $eportant nouvelle confirmation des edicts, & declaratio?s cy devant faictes en faveur de ceux de ladite religion. Avec l'arrest de la Cour de Parlement 210 $aA La Haye $cChez Hillebrant Iacobsz, jouixte la copie imprime?e a? Bourdeaus par S. Millanges, imprimeur ordinaire du Roy$dM.DC.XV. [1615] 215 $a7, [1] p 300 $aAt foot of p. 7: Ainsi signe? Louys et plus bas par le Roy estant en son conseil Phelypeaux. Et scelle?e sur double queue? du grand seau en cire jaune. 300 $aVerso of p. 7: Extraict des registres de Parlement. 300 $aReproduction of original in the British Library. 330 $aeebo-0018 606 $aReligious tolerance$zFrance$vEarly works to 1800 606 $aProtestants$zFrance$vEarly works to 1800 607 $aFrance$xHistory$yLouis XIII, 1610-1643$vEarly works to 1800 615 0$aReligious tolerance 615 0$aProtestants 701 $aLouis$cKing of France,$f1601-1643.$01003565 801 0$bCu-RivES 801 1$bCu-RivES 906 $aBOOK 912 $a996392504003316 996 $aDeclaration du Roy, sur le mouvement, & la prise des armes d'aucuns de ses subjects de la religion pretendue reforme?e$92368594 997 $aUNISA LEADER 03219nam 2200697 450 001 9910783364203321 005 20230421042428.0 010 $a0-19-772695-X 010 $a1-280-44289-1 010 $a1-4237-3860-8 010 $a0-19-535859-7 010 $a1-60129-967-2 035 $a(CKB)1000000000028723 035 $a(EBL)241367 035 $a(OCoLC)475956428 035 $a(SSID)ssj0000275173 035 $a(PQKBManifestationID)11254754 035 $a(PQKBTitleCode)TC0000275173 035 $a(PQKBWorkID)10341111 035 $a(PQKB)11705238 035 $a(Au-PeEL)EBL4702199 035 $a(CaPaEBR)ebr11273457 035 $a(CaONFJC)MIL44289 035 $a(OCoLC)191935545 035 $a(MiAaPQ)EBC4702199 035 $a(EXLCZ)991000000000028723 100 $a20161012h19941994 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aWriting after war $eAmerican war fiction from realism to postmodernism /$fJohn Limon 210 1$aNew York, New York ;$aOxford, [England] :$cOxford University Press,$d1994. 210 4$dİ1994 215 $a1 online resource (266 p.) 300 $aDescription based upon print version of record. 311 $a0-19-508758-5 311 $a0-19-508759-3 320 $aIncludes bibliographical references and index. 327 $aContents; Introduction; 1. The Art of War: The Contest and the Duel; 2. Swords to Words: Realism and the Civil War; 3. Goddesses on the Battlefield: The Combatant Novels of Tourge?e, Cable, and De Forest; 4. Temporal Form and Wartime: Modernism After World War I; 5. The Postmodernization of World War II; 6. Diversions: A Theory of the Vietnam Sports Novel; 7. Family Likenesses: War in Women's Words; Afterword; Notes; Index 330 $aIn Writing After War, John Limon develops a theory of the relationship of war in general to literature in general, in order to make sense of American literary history in particular. Applying the work of war theorists Carl von Clausewitz and Elaine Scarry, John Limon argues that The Iliad inaugurates Western literature on the failure of war to be duel-like, to have a beautiful form. War's failure is literature's justification. American literary history is demarcated by wars, as if literary epochs, like the history of literature itself, required bloodshed to commence. But in chapters on periods 606 $aWar stories, American$xHistory and criticism 606 $aAmerican fiction$y19th century$xHistory and criticism 606 $aAmerican fiction$y20th century$xHistory and criticism 606 $aPostmodernism (Literature)$zUnited States 606 $aRealism in literature 615 0$aWar stories, American$xHistory and criticism. 615 0$aAmerican fiction$xHistory and criticism. 615 0$aAmerican fiction$xHistory and criticism. 615 0$aPostmodernism (Literature) 615 0$aRealism in literature. 676 $a813.009/358 700 $aLimon$b John$01516271 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910783364203321 996 $aWriting after war$93846938 997 $aUNINA